Paintings
7,489–7,536 of 38,286 works from the world's open-access collections. See them as a slideshow
Full Sail on the Misty River
Buffalo and Boy in Autumnal Landscape
Watching the Deer by a Pine Shaded Stream
Magpies and Wild Rabbits
Four bodhisattvas and two attendants flanking Vajrasattva, bottom cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
Schuurplank
Stoffer
Stofblik
Haardtang
Stoffer
Haardtang
Daoist Retreat in Mountain and Stream (Landscape after Ni Zan [1301–1374])
Old Trees by a Cool Spring
Friends of Krishna, folio 163 from a Bhakti Ratnavali of Vishnu Puri
Queen Trishala's Grief and Happiness, Folio 29 (recto), from a Kalpa-sutra
The Fourteen Dreams of Queen Trishala, folio 14 (recto), from a Kalpa-sutra
Café Singer
King Siddhartha and Queen Trishala Sit Alone to Discuss Her Dreams, Folio 24 (recto), from a Kalpa-sutra
Mountain Landscape in Moonlight
Ketel
Portrait of the Katchef Dahouth, Christian Mameluke
The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
The king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot)
Mahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
The king of Zabul sees Mahrusa from his palace balcony, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
The prince, a son of the ruler of Sistan, enters the service of a snake, from a Tuti-nama (Tales of a Parrot): Thirty-seventh Night
The parrot addresses Khujasta at the beginning of the thirty-seventh night, from a Tuti-nama (Tales of a Parrot)
The parrot addresses Khujasta at the beginning of the thirty-eighth night, from a Tuti-nama (Tales of a Parrot)
The parrot addresses Khujasta at the beginning of the thirty-third night, from a Tuti-nama (Tales of a Parrot)
Khurshid reunited with her husband Utarid, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night
Hearing her declaration of love, Ayaz falls at the feet of Mahmuda at the holy shrine. The scene is witnessed by Salim, Ayaz’s friend, and a maid, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
The parrot addresses Khujasta at the beginning of the thirty-fourth night, from a Tuti-nama (Tales of a Parrot)
The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
The third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a…
The goldsmith judged; the bear cubs trained by the carpenter as though they were his sons, from a Tuti-nama (Tales of a Parrot): Third Night
The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
The queen of Rum watches the peahen prefer to burn rather than abandon her eggs while the peacock flees the nest, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Night
The painting made by the vizier of the emperor of China for the queen of Rum, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Night
The mendicant’s wife deceives him with a soldier, from a Tuti-nama (Tales of a Parrot): Fourth Night
Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night
The parrot addresses Khujasta at the beginning of the fortieth night, from a Tuti-nama (Tales of a Parrot)