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The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
c. 1560
- Medium
- gum tempera, ink, and gold on paper
- Classification
- Painting
- Dimensions
- Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 9.7 x 10.2 cm (3 13/16 x 4 in.)
- Culture
- Mughal India, court of Akbar (reigned 1556–1605)
- Museum
- Cleveland Museum of Art, Indian and Southeast Asian Art
- Credit line
- Gift of Mrs. A. Dean Perry
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Teens profiles and older: its subject is for older viewers (war, death, the Passion, drink or the like). How works are placed
View at the Cleveland Museum of Art
About this work
The figure in orange is a magician addressing a seated Brahman—a member of India’s Hindu priestly class—who has come to him for help. He and the princess of Babylon have fallen in love and want to be together, but she is sequestered in the palace harem. The magician transformed the Brahman into a woman, shown at left, walking toward the palace. This is an example of continuous narration, in which two scenes are depicted in the same picture plane. The garden with flowering trees in the background evokes the setting where the Brahman and the princess met and fell in love.
