SmartHistory of Art
by Smarthistory
SmartHistory of Art is a huge encyclopedia with over 7500 pages when printed. Remixed books should be limited to under 800 pages so they can be compiled and fit within the limit of 800 pages for books in our bookstore
Description from LibreTexts.
- Publisher
- Smarthistory
- Subjects
- Humanities, Art
- Licence
- CC BY-NC-SA 4.0, as LibreTexts states it. Non-commercial use only.
- Who can read
- Tweens profiles and older, judged from its title and subjects
Contents
LibreTexts writes equations in TeX, and here they show as TeX; the PDF has them typeset.
- Front Matter
- TitlePage
- InfoPage
- Table of Contents
- Licensing
- 1: Prehistoric
- 1.1: Paleolithic
- 1.1.1: Paleolithic art, an introduction
- 1.1.2: Our earliest technology?
- 1.1.3: Apollo 11 Cave Stones
- 1.1.4: Venus of Willendorf
- 1.1.5: Hall of Bulls, Lascaux
- 1.2: Neolithic
- 1.2.1: The Neolithic revolution
- 1.2.2: Jericho
- 1.2.3: Bushel with ibex motifs
- 1.2.4: Çatalhöyük
- 1.2.5: Stonehenge
- 1.2.6: Nuragic architecture at Su Nuraxi Barumini, Sardinia
- 1.2.7: Anthropomorphic stele
- 1.2.8: Jade Cong
- 1.2.9: Running Horned Woman, Tassili n’Ajjer, Algeria
- 1.2.10: Rock-Art Sites of Tadrart Acacus (Libya)
- 1.2.11: Rock Art in the Green Sahara (Neolithic)
- 2: Ancient Mediterranean
- 2.1: Palmyra
- 2.2: Ancient Near East
- 2.3: Ancient Egypt
- 2.4: Ancient Aegean
- 2.5: Ancient Greece
- 2.6: Nabataean
- 2.7: Etruscan
- 2.8: Ancient Rome I
- 2.9: Ancient Rome II
- 2.10: Ancient Rome III
- 3: The Islamic World
- 3.1: A beginner's guide
- 3.2: Early period
- 3.3: Medieval period
- 3.4: Later period
- 4: Africa
- 4.1: A beginner's guide
- 4.2: East Africa and the Horn of Africa
- 4.3: West Africa
- 4.4: Central Africa
- 4.5: North Africa
- 4.6: Southern Africa
- 5: Asia
- 5.1: A brief history of the cultures of Asia
- 5.2: Hinduism + Buddhism
- 5.3: China
- 5.4: Japan
- 5.5: Korea
- 5.6: Afghanistan
- 5.7: South Asia (I)
- 5.8: South Asia (II)
- 5.9: Southeast Asia
- 5.10: The Himalayas
- 6: Medieval Europe + Byzantine
- 6.1: A beginner's guide
- 6.2: Christianity and art
- 6.3: Judaism and art
- 6.4: Books in Medieval Europe
- 6.5: Early Christian
- 6.6: Byzantine
- 6.7: Early Medieval
- 6.8: Carolingian
- 6.9: Ottonian
- 6.10: Viking Age
- 6.11: Romanesque
- 6.12: Gothic
- 6.13: The Crusades
- 7: Europe 1300 - 1800
- 7.1: A beginner's guide to the Renaissance
- 7.2: Italy and Spain in the 14th century- Late Gothic
- 7.3: Printmaking in Europe, c. 1400−1800
- 7.4: Italy in the 15th century- Early Renaissance (I)
- 7.5: Italy in the 15th century- Early Renaissance (II)
- 7.6: Italy in the 16th century- High Renaissance and Mannerism (I)
- 7.7: Italy in the 16th century- High Renaissance and Mannerism (II)
- 7.8: Northern Europe in the 15th century- Northern Renaissance
- 7.9: Northern Europe in the 16th century- Renaissance and Mannerism
- 7.10: Spain in the 15th and 16th centuries- Renaissance
- 7.11: Reformation and Counter-Reformation
- 7.12: 17th century- Baroque (I)
- 7.13: 17th century- Baroque (II)
- 7.14: c. 1700 - 1775- Rococo
- 7.15: Late 18th century- Neoclassicism
- 7.16: Britain in the 18th century
- 8: Europe 1800 - 1900
- 8.1: Becoming Modern, an introduction
- 8.2: Romanticism
- 8.3: Early photography
- 8.4: Victorian art
- 8.5: Realism
- 8.6: Second Empire
- 8.7: Impressionism
- 8.8: Post-Impressionism
- 8.9: Sculpture
- 8.10: Symbolism / Art Nouveau
- 8.11: Peredvizhniki
- 9: Oceania
- 9.1: Terracotta fragments, Lapita people
- 9.2: What is the impact and legacy of Cook’s voyages?
- 9.3: Polynesia
- 9.4: Melanesia
- 9.5: Micronesia
- 9.6: Australia
- 10: Modernisms 1900 – 1980
- 10.1: A beginner's guide
- 10.2: Key concepts
- 10.3: Fauvism + Expressionism
- 10.4: Cubism + early abstraction (I)
- 10.5: Cubism + early abstraction (II)
- 10.6: Dada and Surrealism (I)
- 10.7: Dada and Surrealism (II)
- 10.8: German art between the wars
- 10.9: Latin American Modernism
- 10.10: American art to World War II
- 10.11: Postwar American art (I)
- 10.12: Postwar American art (II)
- 10.13: Postwar European art
- 10.14: Conceptual + Performance Art
- 10.15: Post-Minimalism
- 10.16: Global vanguards
- 10.17: Architecture and design
- 11: The Americas to 1900
- 11.1: A beginner's guide
- 11.2: North America before c. 1500
- 11.3: North America c. 1500 - 1900 (I)
- 11.4: North America c. 1500 - 1900 (II)
- 11.5: South America before c. 1500
- 11.6: South America c. 1500 - 1900
- 12: Global cultures 1980 - now
- 12.1: A beginner's guide
- 12.2: Appropriation and ideological critique
- 12.3: Identity and the body
- 12.4: Banality and Kitsch
- 12.5: Ritual, spirituality, and transcendence
- 12.6: Histories, real and imagined
- 13: Art that brings U.S. history to life
- 13.1: American and National identity
- 13.2: Work, exchange, and technology
- 13.3: Geography and the environment
- 13.4: Migration and settlement
- 13.5: Politics and power
- 13.6: American and regional culture
- 13.7: Social structures
- 13.8: America in the World
- 14: At-risk Cultural Heritage Education Series (ARCHES)
- 14.1: A beginner's guide
- 14.2: Whose art? Museums and repatriation
- 14.3: Ruins, reconstruction, and renewal
- 14.4: Place and identity
- 14.5: The many forms of iconoclasm
- 14.6: Destruction, looting, and trafficking
- 14.7: Documenting and protecting cultural heritage
- 14.8: The role of archaeology
- 14.9: Cultural heritage endangered round the world
- 14.10: What you can do now
- 14.11: ARCHES advisors
- Back Matter
- Index
- Glossary
- Glossary
- Detailed Licensing