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Bacchus and Ariadne
Henry Bone (British, 1755–1834)
after Titian (Italian, c. 1488–1576)
1808–11
- Medium
- enamel, in original gilt-wood and gesso carved frame
- Classification
- Painting
- Dimensions
- Unframed: 40.5 x 46 cm (15 15/16 x 18 1/8 in.)
- Culture
- England, 19th century
- Museum
- Cleveland Museum of Art, Modern European Painting and Sculpture
- Credit line
- Severance and Greta Millikin Trust
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Teens profiles and older: its subject is for older viewers (war, death, the Passion, drink or the like). How works are placed
View at the Cleveland Museum of Art
About this work
Henry Bone devoted three years to creating this work, a tremendous technical achievement and the largest enamel on copper that had ever been made. The painstaking process required each application of color to be fired at a different temperature in the kiln. The enamel exactly reproduces Titian’s Bacchus and Ariadne (now in the National Gallery, London), an early sixteenth-century Italian masterpiece that had recently come into an English collection. The elaborate carved and gilded wood frame was specially designed for the work, an indication of the cultural value placed on great enamel reproductions of famous paintings.
Bone was unable to show his masterwork at the annual Royal Academy exhibition in 1811 because the Prince of Wales had asked to see it. When the prince decided not to purchase it, Bone issued more than 4,000 tickets for visitors to view the work in his studio.
