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Seven Sages of the Bamboo Grove; Four Elders of Mt. Shang
Kano Tan’yū (Japanese, 1602–1674)
1600s
- Medium
- pair of six-fold screens; ink on paper
- Classification
- Painting
- Dimensions
- Overall: 161 x 339 cm (63 3/8 x 133 7/16 in.)
- Culture
- Japan, Edo period (1615–1868)
- Museum
- Cleveland Museum of Art, Japanese Art
- Credit line
- Gift of Osborne and Gratia Hauge and Victor and Takako Hauge
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Little Ones profiles and older: it shows gentle subjects for the very young. How works are placed
View at the Cleveland Museum of Art
About this work
The Kano school was a group of professional artists patronized by the shogun from the late Muromachi period to the Edo period. The group adopted themes of reclusiveness to convey the importance of loyalty to the shogunate. A leader of the Edo Kano school, Kano Tanyu paired Seven Sages of the Bamboo Grove and Four Elders of Mt. Shang to reference a painting of the same theme attributed to Kano Motonobu. Seven Sages of the Bamboo Grove refers to the elites who escaped the social chaos of China’s Wei-Jin period (AD 200s–400s); they fled to a secluded bamboo grove where they could express themselves freely, enjoying pure conversation, music, and wine. Four Elders of Mt. Shang depicts the scholars who left the turbulence of the late Qin dynasty to pursue their scholarly interests in seclusion on Mt. Shang in Shanxi province.
