Learn · Twentieth-Century English Poetry: Between Lyric and Epic
Lecture 35 of 60Week 7
"In Memory of W. B. Yeats"
Prof. Aruni Mahapatra · IIT Roorkee
Credits and licence
- From
- Twentieth-Century English Poetry: Between Lyric and Epic, IIT Roorkee (at NPTEL)
- Licence
- CC BY-NC-SA, as NPTEL states it. Non-commercial use only.
- Attribution
- NPTEL states: "Distributed under Creative Commons Attribution-ShareAlike / CC BY - NC - SA", beside a BY-NC-SA badge.
- Who can watch
- Teens profiles and older. How courses are placed
All the lectures
- Introduction to 20th-Century Poetry
- The Transnational Origins of 20th-Century Poetry
- Make It New: Aesthetic Revolution
- William Butler Yeats: Biographical Context
- William Butler Yeats: “The Lake Isle of Innisfree”
- William Butler Yeats: Nationalism in “The Lake Isle of Innisfree”
- Modernist Elegy
- Poetry and the Authenticity of Mourning
- Wallace Stevens: "The Emperor of Ice-Cream"
- Thomas Hardy: Elegist
- Thomas Hardy: Poems 1912-1913
- Thomas Hardy Concluded
- Hilda Doolittle (H.D.)
- H.D.: “Eurydice”
- Robert Frost: Biographical Context
- Robert Frost: North of Boston
- Robert Frost: "Home Burial"
- Robert Frost: "The Death of the Hired Man"
- Edna St. Vincent Millay: Biographical Context
- Edna St. Vincent Millay: "Renascence"
- Edna St. Vincent Millay: "Blight"
- Edna St. Vincent Millay: The Sonnet
- Edna St. Vincent Millay and Vanity Fair
- Edna St. Vincent Millay: “Spring” and Other Poems
- Edna St. Vincent Millay: Concluded; T. S. Eliot: Introduced
- T. S. Eliot - 'Tradition and the Individual Talent'
- T. S. Eliot - 'The Metaphysical Poets'
- Late Style in "Four Quartets"
- "Four Quartets" Concluded
- Robert Lowell - "Life Studies"
- W. H. Auden: Introduction
- Marxism, Psychoanalysis, and Elegy in Auden
- Auden and Influence: Wilfred Owen and W. B. Yeats
- "September 1913"
- "In Memory of W. B. Yeats"
- Auden on Sigmund Freud
- Langston Hughes - Introduction
- Elegy, Blues, and Blackness
- Blues and Negritude - "Proem"
- "The Weary Blues" and "The Negro Artist"
- "Blues Fantasy" and 'Fine Clothes for the Jew'
- Lynch Poems - "Bitter Fruit", "Song for a Dark Girl"
- "Silhouette" and "Blue Bayou"
- "The Negro Speaks of Rivers" and "Bitter River"
- "The Moose" - Introducing Elizabeth Bishop
- "The Moose" Continued - Motion & Imagination in Bishop's poems
- Elizabeth Bishop - Biographical Contexts & "The Map"
- "Questions of Travel"
- "One Art"
- Sylvia Plath: The Fraught Background to 'Ariel'
- Sylvia Plath - "The Rabbit Catcher"
- Ted Hughes - "The Rabbit Catcher"
- American Family Elegy - "Full Fathom Five"
- "Electra on Azalea Path" and "The Colossus"
- "The Colossus" and "Daddy"
- Concluding Plath, Introducing Walcott
- Walcott - "Ruins of a Great House"
- Walcott - 'Omeros'
- "Mythic Method" and Introduction to Arun Kolatkar
- "Turnaround", 'Kala Ghoda' poems, and 'Jejuri'