Learn · An Introduction to Indian Literary Theory
Lecture 19 of 61Week 3
The Beginning of Rasa Discourse in Literary Theory
Prof. Sreenath V.S · IIT Madras
Credits and licence
- From
- An Introduction to Indian Literary Theory, IIT Madras (at NPTEL)
- Licence
- CC BY-NC-SA, as NPTEL states it. Non-commercial use only.
- Attribution
- NPTEL states: "Distributed under Creative Commons Attribution-ShareAlike / CC BY - NC - SA", beside a BY-NC-SA badge.
- Who can watch
- Teens profiles and older. How courses are placed
All the lectures
- The Social History of Sanskrit and the Origin of Kāvya
- The Rāmāyaṇa and Sanskrit Literary Theory
- The Genesis and Evolution of Sanskrit Literary Theory
- The Actual Relation Between Kāvyaśāstra or Kāvya
- Sanskrit Kāvyaśāstra in the Medieval Period
- Sanskrit Literary Theoreticians--Early Period
- Sanskrit Literary Theoreticians--Medieval Period A
- Sanskrit Literary Theoreticians--Medieval Period B
- Sanskrit Literary Theory in the Colonial Period
- Sanskrit poetics in the Postcolonial Phase
- Reader in Sanskritic kāvya tradition
- Who is the ideal spectator for nāṭya?
- Daśarūpaka: Ten dramatic forms - Part I
- Daśarūpaka: Ten dramatic forms - Part II
- Uparūpakas
- Kāvya and the Three Languages
- Kāvyasvarūpa or the Ontology of Poetry
- Bharata and the Idea of Rasa
- The Beginning of Rasa Discourse in Literary Theory
- Rasa Theory and Ānandavardhana
- Rasa Theory and Bhaṭṭ Lollaṭa
- Rasa Theory and Śri Śaṅkuka
- Rasa Theory and Bhaṭṭa Tauta
- Rasa Theory and Bhaṭṭa Nāyaka
- Rasa Theory and Abhinavagupta
- Rasa Theory, Rāmacandra and Guṇacandra
- Rasa Theory and Vidyādhara
- The Theory of Alamkara
- The Concept of Aucitya: An Introduction
- The Concept of Aucitya and Kṣemendra
- Two Ways of Implementing Aucitya - Part 1
- Two Ways of Implementing Aucitya - Part 2
- Aucitya and Kaviśikṣa
- Aucitya and the Readers
- Aucitya and the Opinion of Literary Theoreticians
- Aucitya and Ānandavardhana
- Guna or Poetic Merit: Bharata and Bhamaha
- Guna or Poetic Merit: Daṇḍin and Udbhaṭa
- Guna or Poetic Merit: Vāmana’s Contribution
- Guna or Poetic Merit: Ānandavardhana, Namidāshu and Pratihārenduraja
- Guna or Poetic Merit: Bhoja
- Guna or Poetic Merit:Viśveśvara and the author of Agnipurāṇa
- Guna or Poetic Merit:Mammaṭa’s View
- Rīti or the Theory of Poetic Styles
- Theory of Dosa or Poetic Blemish: Bharata’s View
- Theory of Doṣa or Poetic Blemish: Bhāmaha’s View
- Theory of Doṣa or Poetic Blemish: Daṇdin’s View
- Theory of Doṣa or Poetic Blemish: Vāmana’s View
- Theory of Doṣa or Poetic Blemish: Ānandavardhana and Mammaṭa’s Views
- Theory of Doṣa or Poetic Blemish: Mammaṭa’s View II
- Theory of Doṣa or Poetic Blemish: Ānandavardhana and Mammaṭa’s View III
- Vakrokti: An Introduction
- Vakrokti: Pada-pūrvārtha-vakrata I
- Vakrokti: Pada-pūrvārtha-vakrata II
- Vakrokti: Pada-pūrvārtha-vakrata III
- Vakrokti: Padaparārddha vakratā
- Vakrokti: Vākya-vakratā
- Vakrokti: Prakaraṇa-vakratā
- Vakrokti: Prabandha vakratā
- "Dhvani: Avivakṣita-vācya "
- Vivakṣitānya-paravācya