Learn · Computational Music Theory and Analysis
Lecture 24 of 47Videos
Video 10a: Review: Equivalence Classes and OPTIC
Prof. Michael Scott Asato Cuthbert · Massachusetts Institute of Technology
Credits and licence
- From
- Computational Music Theory and Analysis, Massachusetts Institute of Technology (at MIT OpenCourseWare)
- Licence
- CC BY-NC-SA 4.0, as MIT OpenCourseWare states it. Non-commercial use only.
- Attribution
- Prof. Michael Scott Asato Cuthbert. Computational Music Theory and Analysis. Spring 2023. Massachusetts Institute of Technology: MIT OpenCourseWare, https://ocw.mit.edu/. License: Creative Commons BY-NC-SA.
- Who can watch
- Teens profiles and older. How courses are placed
All the lectures
- Video 0: Overview of 21M.383 Computational Music Theory for OCW Learners
- Class 1 Video: How Do Computers "Hear" Music?
- Video 1a: music21 Coding Tutorial for OCW Learners
- Class 2 Video: Representation of Notes, Pitches, and Durations
- Video 3a: Introduction to Pitch Representation
- Video 3b: Pitch Representation: Pros, Cons, and Stakeholders
- Video 3c: How to Approach the Problem Sets
- Class 4 Video: Intro to Scores and Music Representation
- Video 4a: How to Read an Academic Article
- Video 4b: Music Representation in General
- Class 5 Video: Music Representation (II)
- Video 6a: Music Representation (III): Unlocking Pitch in music21
- Video 6b: Representations of Ontologies: Craig Sapp’s Rosetta Stone
- Class 7 Video: Music Representation (IV) & Hierarchies (I)
- Video 7a: Unlocking Duration and Note Objects in music21
- Video 7b: Streams as Hierarchies: Types of Containers in music21
- Video 7c: music21 Streams, Corpus, and Meter Features
- Video 7d: Partwise vs. Timewise Polyphonic Representations
- Class 8 Video: Hierarchies (II): Streams and Recursions
- Video 9a: Music Information Retrieval (MIR): Sound to Score and Music Theory
- Video 9b: Introduction to MusicXML
- Video 9c: Interview with Michael Good on MusicXML
- Class 10 Video: Equivalence and Intervals (I); Hierarchies (IV)
- Video 10a: Review: Equivalence Classes and OPTIC
- Class 11 Video: Equivalence and Intervals (II) and Filters in music21
- Video 12a: Painting Emotions in Music and Text
- Video 12b: Chorales as a Corpus
- Video 12c: Graphing and Plotting in music21
- Video 12d: How to Work with Ties in music21
- Class 13 Video: Corpus Studies and Statistics
- Class 14 Video: Corpus Studies and Statistics (II)
- Class 15 Video: Encoding Corpora and Voice Leading
- Class 17 Video: Introduction to Music Cognition
- Classes 18-21 Video: Brief Synopsis of Guest Sessions on Music Cognition
- Video 22a: Chord Review and 13 Chords: Some Problems with Roots
- Video 22b: Problem Sets 7-8: Working and Composing with Scales, Chords, and Roman Numerals
- Video 22c: Algorithmic Improvisation: Intro to George Lewis
- Class 23 Video: Algorithmic Composition
- Class 24 Video: Algorithmic Composition (II)
- Class 25 Video: Algorithmic Composition (III)
- Video 26a: Vocabulary Reduction
- Class 27 Video: Feature Extraction and Machine Learning
- Class 28 Video: Feature Extraction and Machine Learning (II)
- Video 29a: Feature Extraction and Machine Learning (III): Artificial Intelligence
- Class 30 Video: Mathematical and Statistical Musicology
- Class 31 Video: Music Visualization and Optical Music Recognition
- Video 32a: Tipping the Iceberg