Window mode follows your eyes with your camera, in this browser only: no picture or position leaves your device.
God of Thunder (Raijin)
studio of Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640)
mid-1600s
- Medium
- six-panel folding screen; ink, color, and gold on paper
- Classification
- Painting
- Dimensions
- Image: 150.4 x 343 cm (59 3/16 x 135 1/16 in.); Overall: 162.4 x 355.8 cm (63 15/16 x 140 1/16 in.); Panel: 162.4 x 59.2 cm (63 15/16 x 23 5/16 in.); with frame: 165.6 x 358.6 cm (65 3/16 x 141 3/16 in.)
- Culture
- Japan, Edo period (1615–1868)
- Museum
- Cleveland Museum of Art, Japanese Art
- Credit line
- Andrew R. and Martha Holden Jennings Fund
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Tweens profiles and older: its subjects are known and suit older children. How works are placed
View at the Cleveland Museum of Art
About this work
Such depictions of the God of Thunder originated in Buddhist art. Here, the image was painted on paper covered with gold dust, a technique often found in paintings by Tawaraya Sotatsu or of the Sotatsu school. This gold technique and the "Inen" seal here suggest that the anonymous painter of this screen was probably associated with the Sotatsu workshop. The artist used a prototype borrowed from earlier Japanese narrative painting—rather than mechanically reproducing Sotatsu’s image—and created a bold, innovative image that served the world of play and leisure in early Edo Japan.
The theme of "God of Thunder" was often paired with "God of Wind" and has been frequently reinterpreted by generations of Rimpa artists. Unfortunately, the screen God of Wind which would have accompanied this God of Thunder cannot be located.
