Seated Amitābha, late 1500s–early 1600s
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Seated Amitābha

late 1500s–early 1600s

Medium
hanging scroll; ink and color on silk
Classification
Painting
Dimensions
Overall with knobs: 236.9 x 105.7 cm (93 1/4 x 41 5/8 in.); Painting only: 130.8 x 75 cm (51 1/2 x 29 1/2 in.)
Culture
Chinese, Ming dynasty (1368-1644)
Museum
Cleveland Museum of Art, Chinese Art
Credit line
Gift of David S. Utterberg and the Severance and Greta Millikin Purchase Fund
Rights
Public domain (CC0), as the museum states it.
Who can see it
Teens profiles and older: its museum says too little about what it shows to place it for younger viewers. How works are placed

View at the Cleveland Museum of Art

About this work

This magnificent Buddha, called Amitābha (literally, “infinite light”) is seated on a lotus pedestal with both palms facing up over crossed legs, suggesting that it is in deep meditation. In contrast to the richly ornamented throne on which the Buddha is seated, the figure itself is devoid of any jewelry or decorative attributes, emphasizing its enlightened status and detachment from worldly affairs. The lion head in the center of the pedestal is a motif from Central Asia, which can also be seen in the halo or nimbus of Chinese Buddhist stone steles.