Sericulture (The Process of Making Silk), by Liang Kai, early 1200s
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Sericulture (The Process of Making Silk)

attributed to Liang Kai (Chinese, mid-1100s–early 1200s)

early 1200s

Medium
Handscroll; ink and color on silk
Classification
Painting
Dimensions
First Section: 26.7 x 98.6 cm (10 1/2 x 38 13/16 in.); Second Section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.); Third Section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.)
Culture
China, Southern Song dynasty (1127-1279)
Museum
Cleveland Museum of Art, Chinese Art
Credit line
John L. Severance Collection
Rights
Public domain (CC0), as the museum states it.
Who can see it
Teens profiles and older: its museum says too little about what it shows to place it for younger viewers. How works are placed

View at the Cleveland Museum of Art

About this work

By the Southern Song period, the economic center of the silk industry had shifted to the lower Yangzi delta, while the north continued to be troubled by wars.

Divided into three sections, the handscroll illustrates 14 steps in the process of making silk, from the raising of silkworms to the weaving of silk cloth. The scroll’s scenes follow the illustrations of Lou Shou’s (1090–1162) Pictures of Tilling and Weaving (gengzhi tu), the first recorded painting of this genre, which was conceived in Hangzhou around 1145. However, in the Cleveland painting the artist groups several scenes of sericulture together under the roof of an open structure.