
Conversation with Benjamin J. Harbert
Harbert, Benjamin J.
Clips are not offered for this film: the Library of Congress states its rights in its own words, not as a public licence, which leaves reuse unclear.
Parts
About
Nancy Groce and Jesse Hawkin of the American Folklife Center sit down with Benjamin J. Harbert, ethnomusicologist and author of the book “Instrument of the State: A Century of Music in Louisiana’s Angola Prison.” The book and his recent documentary on the same topic, “Follow Me Down,” were the subjects of his talk. Angola prison is the largest and one of the most notorious prisons in the United States, built into a slave plantation that Louisiana bought in 1901. It has also been the most musically significant. Harbert’s work chronicles dozens of musicians and bands over 120 years, showing how music is a vital resource for prisoners. That resource, however, is conditional, as the administration uses music in many ways. The history of this musical dialogue offers a unique perspective on incarceration, politics, and the development of music in the 20th-century American South. In particular, this lecture highlighted the musical, political and intellectual role of jazz in the prison from the 1950s through the 1960s, and reference historic fieldwork materials that are now housed the American Folklife Center Archive. The Botkin Lecture series is part of ongoing public programming activities from the American Folklife Center that highlight the fields of folklife, ethnomusicology, oral history and related disciplines, foregrounding its archival holdings, and fulfilling its Congressionally-mandated mission.
- Archive
- Library of Congress, in Library of Congress: talks and concerts
- Licence or status
- Rights statement at the Library of Congress, as the Library of Congress states it.
- Credit
- Library of Congress
- Language
- English
- Country
- United States
- Who can watch
- The archive gives no rating. Invisible Network shows it to Teens profiles and older, judged from its collection and subjects. How films are placed











