
Isidore String Quartet with Misha Amory, viola, and Nina Lee, cello
Brown-cáceres, Nicholas A.
Clips are not offered for this film: the Library of Congress states its rights in its own words, not as a public licence, which leaves reuse unclear.
Parts
About
The Isidore String Quartet’s meteoric rise to acclaim began with their formation at Juilliard in 2019 and continued with a win at the Banff International String Quartet Competition in 2022 and an Avery Fisher Career Grant in 2023. A portion of the concert was dedicated to arrangements of music by J.S. Bach and Johannes Brahms by Isidore’s violist Devin Moore. They then celebrated a pair of great opus eighteens, including the final B-flat-major quartet of Beethoven’s op. 18 collection (his first venture into the genre), and one of Brahms’ first major chamber works, his op. 18 string sextet. For this special Stradivari Anniversary concert, the quartet was joined by violist Misha Amory and cellist Nina Lee for a performance of Brahms’ first sextet, held in manuscript at the Library, with all performers using Stradivari instruments, including the recently acquired “Fulton, ex Baird, Tuscan-Medici” 1690 Stradivari viola. Five come from the Library’s collections; the 1701 Stradivari “Servais” cello was loaned by the Smithsonian’s National Museum of American History.
Participants
Isidore String Quartet
Adrian Steele, violin
Phoenix Avalon, violin
Devin Moore, viola
Joshua McClendon, cello
with guests Misha Amory, viola, and Nina Lee, cello
Program:
[1:23] Recording of Gertrude Clarke Whittall
[15:56] Traditional/Devin Moore: Kyrie (chant)
[17:14] J.S. Bach/Devin Moore: In dulci jubilo
- Archive
- Library of Congress, in Library of Congress: talks and concerts
- Licence or status
- Rights statement at the Library of Congress, as the Library of Congress states it.
- Credit
- Library of Congress
- Language
- English
- Country
- United States
- Who can watch
- The archive gives no rating. Invisible Network shows it to Tweens profiles and older, judged from its collection and subjects. How films are placed











