Talk20241 h 7 min1920×1080

Conspiracy Theories, Folklore and Belief

Kitta, Andrea

Clips are not offered for this film: the Library of Congress states its rights in its own words, not as a public licence, which leaves reuse unclear.

About

In this lecture, noted folklorist Andrea Kitta will discuss some definitions of conspiracy theories and how they fit into other belief traditions and narratives with a focus on understanding why people believe in conspiracy theories and how they function. The term “conspiracy theory” has become loaded and often used to dismiss the belief systems of others, especially those of opposing viewpoints. However, all of us engage in a little conspiratorial thinking at times. Through the use of memes and humor, Kitta will also discuss how to identify the echo chambers these stories can create.

Kitta is a folklorist and professor at East Carolina University where she studies vaccination, contagion and contamination narratives, conspiracy theories, belief, and the supernatural. Her monograph, “Vaccinations and Public Concern in History: Legend, Rumor, and Risk Perception,” won the Brian McConnell Book Award in 2012. She is also the author of “The Kiss of Death: Contagion, Contamination and Folklore” which won the Chicago Folklore Prize and Brian McConnell Book Award in 2020. She is currently working on a co-edited collection on conspiracy theories. The Botkin Lecture Series is part of the American Folklife Center’s ongoing public programming activities highlighting the fields of folklife, ethnomusicology, oral history and related disciplines, foregrounding its archival holdings, and fulfilling its congressionally mandated mission.

Archive
Library of Congress, in Library of Congress: talks and concerts
Licence or status
Rights statement at the Library of Congress, as the Library of Congress states it.
Credit
Library of Congress
Language
English
Country
United States
Who can watch
The archive gives no rating. Invisible Network shows it to Tweens profiles and older, judged from its collection and subjects. How films are placed