Washerwoman

About

Originally filmed in 1956 on 8mm, the film is a compilation of performance excerpts. The first set of works was filmed in close shots from a low angle at stage left; the second set is of wide shots filmed from the center of the auditorium. Close shots include sections of Tropics, Son, Rhumba Cerrada, Bel Congo, Choros #1, Island in the Sun, Washerwomen, Sube Espuma, Veracruzana, Floyd’s Guitar Blues, Flaming Youth, and Finale from Mambo. Wide shots include sections of Tropics, Son, Rhumba Cerrada, Choros #1, Island in the Sun, Washerwomen, Sube Espuma, Shango, Los Indios, Veracruzana, Bolero, Floyd’s Guitar Blues, Flaming Youth, and Finale from Mambo.

Human-made No record of this work says a model made it. What this means.

Archive

Library of Congress, in Library of Congress: National Screening Room

Licence or status

Rights statement at the Library of Congress, as the Library of Congress states it.

Rights statement

The Library of Congress is not aware of any U.S. copyright or other restrictions in the vast majority of motion pictures in these collections. Absent any such restrictions, these materials are free to use and reuse. In rare cases, copyrighted motion pictures are made available by special permission to the Library and may be used only for educational purposes. For example, the Gershwin home movies fall within this category. Rights assessment is your responsibility. No registration information exists for some titles, and reproduction of some titles may be restricted by privacy rights, publicity rights, licensing and trademarks. Additionally, some works may still be protected by copyright in the United States or some foreign countries. The written permission of the copyright owners in materials not in the public domain is required for distribution, reproduction, or other use of protected…

Credit

Library of Congress

Language

English

Country

United States

Who can watch

The archive gives no rating. Invisible Network shows it to Tweens profiles and older, judged from its collection and subjects. How films are placed