
Voices from the Canefields: Folksongs from Japanese Immigrant Workers in Hawaii
Library Of Congress
Clips are not offered for this film: the Library of Congress states its rights in its own words, not as a public licence, which leaves reuse unclear.
Parts
About
Drawing on research for his recent book, "Voices from the Canefields," author Franklin Odo situates over two hundred songs of Japanese immigrant workers in Hawaii, in translation, in a hitherto largely unexplored historical context. According to Odo, folk songs are short stories from the souls of common people. Some,like Mexican corridos or Scottish ballads reworked in the Appalachians, are stories of tragic or heroic episodes. Others, like the African American blues, reach from a difficult present back into slavery and forward into a troubled future. Japanese workers on Hawaii's plantations created their own versions, in form more akin to their traditional tanka or haiku poetry. These holehole bushi describe the experiences of one particular group caught in the global movements of capital, empire, and labor during the late 19th and early 20th centuries.
Human-made No record of this work says a model made it. What this means.
- Archive
- Library of Congress, in Library of Congress: talks and concerts
- Licence or status
- Rights statement at the Library of Congress, as the Library of Congress states it.
- Credit
- Library of Congress
- Language
- English
- Country
- United States
- Who can watch
- The archive gives no rating. Invisible Network shows it to Teens profiles and older, judged from its collection and subjects. How films are placed











