037. Homenatge a Lluís Carulla (1963)
Joan Capdevila Nogués
Clips are not offered for this film: the US renewal records do not settle it.
Not offered: what its record states (its uploader's public-domain mark, or a licence not shown to be its rights holder's) leaves its US term to decide, and it is dated 1963; under US law a work of that year is free only on facts the site does not hold for it (its US renewal records, or its own country's term on 1 January 1996 for a work published abroad), and otherwise its US term runs to the end of 2058. Unclear is not offered. Open it at the Internet Archive.
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About
Reportatge sobre l'homenatge que se li feu a Lluís Carulla amb motiu d'una campanya de captació de socis de l'Orfeó Català. El mestre Millet en mànigues de camisa dirigeix les peces d'homenatge a la sala d'assaigs de l'Orfeó Català. Millet de Maristany fa un parlament i al final li regala a Carulla un diploma i l'ensenya d'or de l'Orfeó Català. Agraïment de Carulla. Aplaudiments i salutacions finals.
Report on the tribute to Lluís Carulla for a campaign to attract members to the Orfeó Català. Master Millet, in a shirt sleeve, directs the tribute pieces to the rehearsal room of the Orfeó Català. Millet and Maristany make a parliament and in the end give Carulla a diploma and the gold medal of the Orfeó Català. Acknowledgments by Lluís Carulla. Final applause and greetings.
Persones:
Saperas i Auvi, Miquel / Carulla Canals, Lluís / Millet i Maristany, Fèlix / Carulla, Jordi / Carulla, Artur / Sàbat, Antoni / Font de Carulla, Maria / Cambó de Guardans, Helena
http://www.joancapdevilanogues.cat/homenatge-a-lluís-carulla.10000-socis-de-l’orfeó-català.html
Human-made No record of this work says a model made it. What this means.
- Archive
- Internet Archive, in Short films
- Licence or status
- CC BY-NC-SA 4.0, as the Internet Archive states it.
- Credit
- Joan Capdevila Nogués
- Language
- Catalan
- Who can watch
- The archive gives no rating. Invisible Network shows it to Teens profiles and older, judged from its collection and subjects. How films are placed