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WBAI Sampler

Episodes
1

WBAI Sampler Tape. Montage of ten important WBAI broadcasts from the mid-1960s. pt.1. From protest to resistance -- pt.2. Does democracy have a future? -- pt.3. Both sides of the bars -- pt.4. The Agony of Greece -- pt.5. Negroes and Jews -- pt.6. Radio unnameable -- pt.7. Reports from Khe Sahn and Hue -- pt.8. Commentaries: Ayn Rand and Neil Fabricant -- pt.9. Tribute to Paul Robeson -- pt.10. This is the Rill speaking. Received Armstrong Award, 1968.(60 min.) BB3620 Pacifica Radio Archives.

Episodes, in broadcast order

  1. BB3620Pacifica

    No date given · 1 h 01 min

Where it comes from 1

The archive items its episodes are played from, best first, with each one’s rights as its archive states them. An episode two sets both hold is played from the first.

  1. WBAI Sampler 1968

    Pacifica Radio Archives · Pacifica Radio Archives · 1 episode here · archive.org

    CC BY-NC-SA 3.0: CC BY-NC-SA 3.0, as its uploader states it at the Internet Archive.

From the Pacifica Radio Archives, at the Internet Archive.

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Radio drama, old-time radio and historic broadcasts from the Internet Archive (its Old Time Radio collection with the Old Time Radio Researchers' sets, WWII Era Audio Recordings, the Pacifica Radio Archives, the Radio Haiti Archive, German radio plays and listeners' uploads), Wikimedia Commons (with the Netherlands Institute for Sound and Vision's broadcasts) and the Library of Congress. Every episode plays from its archive, which this site does not copy; rights are as each archive states them. Nothing here is called public domain on this site's say-so. In the United States, sound recordings first fixed before 15 February 1972 have federal protection under the Music Modernization Act of 2018, for most until 2067 at the latest, so most American radio of the 1930s to the 1950s is not in the public domain there. Each set shows the licence, mark or statement its archive gives, and says whose it is. Horror, crime, war and westerns are for teenage and adult profiles, racist caricature for adults only, and children’s profiles hear what was made for children. More about these archives.