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Crime Classics

Networks
CBS (as its archives name them)
Heard
1952–1954
Episodes
64

CRIME CLASSICS

More about it

Crime Classics came to CBS September 30, 1953 and was a neat little series of "true crime stories". The show introduced itself succinctly: "Crime Classics, a series of true crime stories from the records and newspapers of every land, from every time. Your host each week, Mr. Thomas Hyland -- connoisseur of crime, student of violence, and teller of murders." Thomas Hyland was played by Lou Merrill, although you'd never know it was an "actor" doing the part. The great Elliott Lewis, actor, producer and director of Suspense, Broadway is My Beat, and On Stage is in charge of this very intelligent and enjoyable show. Bernard Herrmann composed the music that duplicated authentic music of the era being dramatized. Morton Fine and David Friedkin wrote the scripts. Lewis and his writers collected and developed true crime stories expressly for Crime Classics. Thomas Hyland's delivery is measured and mild-mannered, as if giving a college lecture. Would that all professors were this interesting! The actors in the stories themselves are uniformly sensitive. Orchestral scores by the great Bernard Hermann, who did Orson Welles' Mercury Theater radio show and then Alfred Hitchcock's films, give the stories sophistication and mood. So do the tasteful sound effects. There is a wry, cool-blooded tone to the proceedings. Cases profiled on the series ranged from seventeenth-century murder to the assassination of Abraham Lincoln. Each and every story, however bizarre, is actually…

Episodes, in broadcast order

  1. (Audition)

    · 27 min

  2. The Crime of Bathsheba Spooner

    · No. 1 · 30 min

  3. (AFRTS)

    · No. 3 · 29 min

  4. The Terrible Deed of John White Webster

    · No. 5 · 30 min

  5. The Death of a Picture Hanger

    · No. 6 · 30 min

  6. (AFRTS)

    · No. 7 · 30 min

  7. The Final Day of General Ketchum, and How He Died

    · No. 7 · 29 min

  8. Mr. Thrower's Hammer

    · No. 8 · 30 min

  9. (AFRTS)

    · No. 9 · 30 min

  10. The Axe and the Droot Family, How They Fared

    · No. 9 · 30 min

  11. The Incredible Trial of Laura D. Fair (AFRTS)

    · No. 10 · 30 min

  12. (AFRTS)

    · No. 11 · 30 min

  13. The Alsop Family, How It Diminished and Grew Again

    · No. 11 · 30 min

  14. (AFRTS)

    · No. 12 · 30 min

  15. Your Loving Son, Nero

    · No. 12 · 29 min

  16. (AFRTS)

    · No. 13 · 30 min

  17. The Bloody, Bloody Banks of Fall River

    · No. 14 · 30 min

  18. The Hangman and William Palmer, Who Won

    · No. 15 · 30 min

  19. The Seven-layered Arsenic Cake of Madame Lafarge

    · No. 16 · 30 min

  20. Billy Bonny Bloodletter, Also Known as 'The Kid'

    · No. 17 · 30 min

  21. John Hayes, His Head and How They Were Parted

    · No. 18 · 30 min

  22. (AFRTS)

    · No. 19 · 30 min

  23. Raschi Among the Crocodiles, and the Prank He Played

    · No. 19 · 30 min

  24. Blackbeard's Fourteenth Wife, Why She Was Not Good For Him

    · No. 20 · 30 min

  25. The Triangle on the Round Table

    · No. 21 · 30 min

  26. (AFRTS)

    · No. 22 · 29 min

  27. (AFRTS)

    · No. 23 · 30 min

  28. If a Body Need a Body, Just Call Burke and Hare

    · No. 23 · 29 min

  29. (AFRTS)

    · No. 24 · 30 min

  30. The Assassination of Abraham Lincoln

    · No. 24 · 30 min

  31. (AFRTS)

    · No. 25 · 29 min

  32. (AFRTS)

    · No. 26 · 29 min

  33. Coyle and Richardson, Why They Hung in a Spanking Breeze

    · No. 26 · 30 min

  34. The Younger Brothers, Why Some of Them Grew No Older

    · No. 27 · 29 min

  35. How Supan Got the Hook Outside Bombay

    · No. 28 · 30 min

  36. (AFRTS)

    · No. 29 · 29 min

  37. Madeline Smith, Maid or Murderess

    · No. 29 · 30 min

  38. The Incredible History of John Shephard

    · No. 31 · 30 min

  39. Twenty-Three Knives Against Caesar

    · No. 32 · 30 min

  40. (AFRTS)

    · No. 33 · 28 min

  41. John Baptiste Troppmann, Killer of Many

    · No. 33 · 30 min

  42. The Good Ship Jane, Why She Became Flotsam

    · No. 34 · 30 min

  43. (AFRTS)

    · No. 35 · 30 min

  44. (AFRTS)

    · No. 36 · 30 min

  45. (AFRTS)

    · No. 42 · 29 min

  46. Widow Magee and the Three Gypsies; A Vermont Fandango

    · No. 43 · 29 min

  47. (AFRTS)

    · No. 44 · 29 min

  48. (AFRTS)

    · No. 45 · 30 min

  49. (AFRTS)

    · No. 46 · 30 min

  50. The Lethal Habit of the Marquise De Brinvilliers

    · No. 46 · 29 min

  51. The Assassination of Leon Trotsky

    · No. 48 · 29 min

  52. The Death of a Baltimore Birdie and Friend

    · No. 49 · 30 min

  53. (AFRTS)

    · No. 50 · 30 min

  54. (ARTS)

    · No. 51 · 30 min

  55. Good Evening, My Name is Jack the Ripper

    · No. 51 · 29 min

Where it comes from 1

The archive items its episodes are played from, best first, with each one’s rights as its archive states them. An episode two sets both hold is played from the first.

  1. Crime Classics - Single Episodes

    Old Time Radio Researchers · Old Time Radio Researchers Group · 64 episodes here · archive.org (opens in a new tab)

    CC BY-NC-ND 2.5: CC BY-NC-ND 2.5, as its uploader states it at the Internet Archive.

A set by the Old Time Radio Researchers Group (otrr.org), at the Internet Archive's Old Time Radio collection.

More Mystery & crime

Radio drama, old-time radio and historic broadcasts from the Internet Archive (its Old Time Radio collection with the Old Time Radio Researchers' sets, WWII Era Audio Recordings, the Pacifica Radio Archives, the Radio Haiti Archive, German radio plays and listeners' uploads), Wikimedia Commons (with the Netherlands Institute for Sound and Vision's broadcasts) and the Library of Congress. Every episode plays from its archive, which this site does not copy; rights are as each archive states them. Nothing here is called public domain on this site's say-so. In the United States, sound recordings first fixed before 15 February 1972 have federal protection under the Music Modernization Act of 2018, for most until 2067 at the latest, so most American radio of the 1930s to the 1950s is not in the public domain there. Each set shows the licence, mark or statement its archive gives, and says whose it is. Horror, crime, war and westerns are for teenage and adult profiles, racist caricature for adults only, and children’s profiles hear what was made for children. More about these archives.