Learn · Indian Art: Materials, Techniques and Artistic Practices
Lecture 15 of 60Week 3: Pigment: Mineral and vegetal colours
Lecture 15: Kailasanatha Temple and painted sculptures
Prof. Rajarshi Sengupta · IIT Kanpur
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- Indian Art: Materials, Techniques and Artistic Practices, IIT Kanpur (at NPTEL)
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All the lectures
- Lecture 01- Introduction to the Indus valley sites and different usage of clay
- Lecture 02- Making of terracotta figurines in the Indus valley
- Lecture 03- Urn and seals from the Indus valley sites
- Lecture 04- Architectural sites and sculptures from the Indus valley sites
- Lecture 05- Use of metal in the Indus valley and relevance of terracruda.
- Lecture 06: Introduction to Buddhism and rock-cut structures
- Lecture 07: Architecture and Buddha’s body
- Lecture 08: Emperor Ashoka, Mauryan structures and Buddhism.
- Lecture 09: Centres of Buddhist sculpture and architecture
- Lecture 10: Jainism and Architecture
- Lecture 11: Introduction to Earth pigments and early sites
- Lecture 12: Paintings at Ajanta
- Lecture 13: Buddhist jataka and Jaina themes in murals
- Lecture 14: Ellora rock cut structures and murals
- Lecture 15: Kailasanatha Temple and painted sculptures
- Lecture 16: Introduction to Hinduism and basics of Hindu temple architecture.
- Lecture 17: Brick and Rock cut temples
- Lecture 18: Mamallapuram and Pallava architecture
- Lecture 19: Badami Chalukyas and Cholas: temples and metal objects
- Lecture 20: Context-specific temples and later developments
- Lecture 21: Stone objects from the Prehistoric and early historic era
- Lecture 22: Sandstone
- Lecture 23: Stones of the Deccan
- Lecture 24: Architecture and Carving during the Vijayanagara period and beyond
- Lecture 25: Marble
- Lecture 26: Gardens and Islam
- Lecture 27: Mughal Gardens ad palaces of Agra and Fatehpur Sikri
- Lecture 28: Garden tombs of the Mughal era
- Lecture 29: Mughal Palaces and Gardens of the Deccan
- Lecture 30: Garden in Bijapur and Golcocnda
- Lecture 31: Early manuscript painting in the Indian subcontinent
- Lecture 32: The Mughal atelier
- Lecture 33: Deccani and Rajasthani miniatures
- Lecture 34 : Rajasthani and Pahari miniature paintings
- Lecture 35: Painting in Mysore and Thanjavur
- Lecture 36: Introduction to Printmaking in the Indian Subcontinent
- Lecture 37: Features of the 18th and 19th century Printed images
- Lecture 38: Printmaking and Colonial Documentation
- Lecture 39: Popular and Vernacular Prints I
- Lecture 40: Popular and Vernacular Prints II
- Lecture 41: European Watercolour and Company Painting
- Lecture 42: Indo-European themes and Kalighat Paintings
- Lecture 43: Oil painting in the Princely courts and beyond
- Lecture 44: Raja Ravi Varma
- Lecture 45: Other “New” Media: Print and Photographs
- Lecture 46: Gandhi, daily practice and material culture
- Lecture 47: Different approaches of Gandhi and Abanindranth Tagore
- Lecture 48: Alternative art education in Santiniketan,
- Lecture 49: Nandalal Bose, Gandhi and Haripura posters
- Lecture 50: Art for society: Nandalal Bose and his disciples
- Lecture 51: The key developments in Indian Art after 1947
- Lecture 52: Post independence Painting and Sculpture
- Lecture 53: Post independence artistic Printmaking
- Lecture 54: Post independence Architecture
- Lecture 55: Post independence design practices in India
- Lecture 56: Art after 1990s
- Lecture 57: Installation and audio-visual media in contemporary art
- Lecture 58: Performance and art-research collaborations
- Lecture 59: Curation, Biennale and art making
- Lecture 60: Expansive notion of “art” after 2010