Learn · Folk and Minor Art in India
Lecture 42 of 44Week 8
42. Need of Paradigm Shift - I
Prof. Shatarupa Thakurta Roy · IIT Kanpur
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- From
- Folk and Minor Art in India, IIT Kanpur (at NPTEL)
- Licence
- CC BY-NC-SA, as NPTEL states it. Non-commercial use only.
- Attribution
- NPTEL states: "Distributed under Creative Commons Attribution-ShareAlike / CC BY - NC - SA", beside a BY-NC-SA badge.
- Who can watch
- Teens profiles and older. How courses are placed
All the lectures
- 01.Changing definition of Folk and Minor Art
- 02.Timeline and Regions: General Mapping
- 03. Traditional Roots: Elements and Principles
- 04. Timelessness : Primitive Connection
- 05. Evolution in Purpose: Ritualistic to Propagative
- 06. Contemporary Practice
- 07. Classification and Connections: Traditional Roots
- 08. Early Literacy Resources
- 09. Mythical Associations
- 10. Idea of Nationalism and Modernism in the Context of Folk Art-I & II
- 11. Relevance of the Art Practice
- 12. Contextualization and Decontextualization
- 13. Concept of Communication for Social Purpose
- 14. Aesthetic Perspective
- 15. Secularity and Religious Plurality
- 16. Ethnographic perspective on the study of Folk Art and Culture
- 17. About the Exponents who brought the culture under the Limelight
- 18. Commonality and Congruity in the Diverse Content of Art
- 19. School of Art in Madhubani Painting
- 20. Art as a Feminine Preserve vs the Male painters of Madhubani
- 21. Yamapata by the Jadopatias, Sohari Painters and their Art
- 22. Patachitra of Bengal
- 23. Patachitra of Odisha
- 24. Continuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 1
- 25. Continuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 2
- 26. Continuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 3
- 27. Case study - 1: Gond Art
- 28. Case study - 2: Bengal Patachitra
- 29. Case study - 3: Madhubani Paintings
- 30. Characteristics of Contemporary Collection- Semiotic Analysis
- 31. Characteristics of Contemporary Collection- Thematic and Iconic Analysis
- 32. Characteristics of Contemporary Collection of Indian Folk and Minor Art
- 33. Thematic Change in Contemporary Collection of Indian Folk and Minor Art
- 34. Individual Expression in Contemporary Art
- 35. Cultural Condition: Colonial and Postcolonial Bengal - Part I
- 36. Cultural Condition: Colonial and Postcolonial Bengal - Part II
- 37. Contextualizing Folk idiom - Part I
- 38. Contextualizing Folk idiom - Part II
- 39. Contextualizing Folk idiom - Part III
- 40. Coexistence and Collaborations with Mainstream Art
- 41. Alternative Context: Place of Folk Art in Contemporary Lifestyle
- 42. Need of Paradigm Shift - I
- 43. Need of Paradigm Shift - II
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