Learn · Understanding Creativity and Creative Writing
Lecture 2 of 41Understanding Creativity
L2-In Conversation with Richard Schechner
Prof. Neelima Talwar · IIT Bombay
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- From
- Understanding Creativity and Creative Writing, IIT Bombay (at NPTEL)
- Licence
- CC BY-NC-SA, as NPTEL states it. Non-commercial use only.
- Attribution
- NPTEL states: "Distributed under Creative Commons Attribution-ShareAlike / CC BY - NC - SA", beside a BY-NC-SA badge.
- Who can watch
- Teens profiles and older. How courses are placed
All the lectures
- L1-Overview
- L2-In Conversation with Richard Schechner
- L3-Multilingual Plurality: Our Environment
- L4-Multilingual Plurality: Our Environment -Part II
- L5-Interplay of Languages and Forms of Writing
- L6-Interplay of Languages and Forms of Writing -Part II
- L7-Creativity and Cultures
- L8-Notion of Play and The Three Domain Activities
- L9-Theory of Enjoyment: Critical Assessment
- L10-Divergences and Convergences
- L11-Divergences and Convergences -Part II
- L12-Creative and Cultural Spaces for Students
- L13-Being and Doing: Writing as Performance
- L14-Writers and Writing: The Dialogic Process
- L15-Creativity, Writing, Creative Writing: Recent Viewpoints
- L16-Issues Related to the Teaching of Creative Writing
- L17-Writers on Writing: Albert Camus
- L18-Critical Reading of Great Writers: Albert Camus
- L19-Critical Reading of Important Writers: Margaret Atwood
- L20-Reading and Writing
- L21-Indian Writing: Writers/Narrators
- L22-Contemporary Indian Writers: The Search for Creativity (I)
- L23-Contemporary Indian Writers: The Search for Creativity (II)
- L24-Mosaic Patterns: Module 2
- L25-Introduction to Drama
- L26-Performance and Script Writing: Mime
- L27-Western Classical Theory
- L28-Student Response (I)
- L29-Indian Drama: Classical Theory and Practice
- L30-Interacting Continuum: Classical, Folk and Modern Drama
- L31-From The Perspective of Playwriting: Monologue
- L32-From The Playwright's Perspective
- L33-From The Playwright's Perspective -Part II
- L34-From The Perspective of Playwriting: Anton Chekhov
- L35-Drama in the Classroom: Experience and Writing
- L36-Student Response (II)
- L37-Performative Reading of the Cherry Orchard
- L38-Short Story as a Genre
- L39-Short Stories by Indian Women Writers
- L40-Modern Western Short Story
- L41-Varieties of Writing Processes