Bibliography -- Pay for Play-

Pay for Play: How the Music Industry Works, Where the Money Goes, and Why · LibreTexts

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    Bibliography

    Buskin, Richard. Inside Tracks: A first-hand history of popular music from the world’s greatest record producers and engineers (Avon Books, New York, 1999)

    Chanan, Michael. Musica Practica: The Social Practice of Western Music from Gregorian chant to Postmodernism (Verso, New York), 1994.

    Chanan, Michael. Repeated Takes: A Short History of Recording and its Effects on Music (Verso, New York), 1995

    Levine, Robert. Free Ride: How Digital Parasites Are Destroying the Culture Business, and How the Culture Business Can Fight Back (Anchor Books, New York, 2011)

    Murphy, Gareth. Cowboys and Indies: The Epic History of the Record Industry (St. Martin’s Press, New York, 2014)

    Putting the Band Back Together: Remastering the World of Music (Citi GPS: Global Perspectives and Solutions, August, 2018)

    “Billboard’s 2018 Money Makers: 50 Highest-Paid Musicians” (Billboard, March 29, 2019)

    Library of Congress, Copyright Royalty Board. Determination of Royalty Rates and Terms for Making and Distributing Phonorecords (Phonorecords III) 37 CFR Part 385 [Docket No. 16–CRB–0003–PR (2018–2022)]

    Manual of Model Jury Instructions for the District Courts of the Ninth Circuit (2017 edition, updated 2019)