SmartHistory of Art IXb - Modernism 1945-1980

by SmartHistory

Read here Read at LibreTextsPDF
Subjects
Humanities, Art
Licence
CC BY-NC-SA 4.0, as LibreTexts states it. Non-commercial use only.
Who can read
Tweens profiles and older, judged from its title and subjects

Contents

LibreTexts writes equations in TeX, and here they show as TeX; the PDF has them typeset.

  1. Front Matter
  2. TitlePage
  3. InfoPage
  4. Table of Contents
  5. Licensing
  6. 1: Postwar European art
  7. 1.1: France
  8. 1.1.1: Jean Dubuffet, A View of Paris- The Life of Pleasure
  9. 1.1.2: Jean Dubuffet, Childbirth
  10. 1.2: Switzerland
  11. 1.2.1: Alberto Giacometti, Walking Man II
  12. 1.2.2: Jean Tinguely, Homage to New York
  13. 1.3: Germany
  14. 1.3.1: Joseph Beuys
  15. 1.3.1.1: Table with Accumulator (Tisch mit Aggregat)
  16. 1.3.1.2: Fat Chair
  17. 1.3.1.3: Feet Washing and Conceptual Performance
  18. 1.3.2: Bernd and Hilla Becher, Water Towers
  19. 1.3.3: Sigmar Polke
  20. 1.3.3.1: Bunnies
  21. 1.3.3.2: Watchtower series
  22. 1.3.4: Gerhard Richter
  23. 1.3.4.1: Uncle Rudi
  24. 1.3.4.2: Betty
  25. 1.3.4.3: Gerhard Richter, September
  26. 1.3.4.4: Gerhard Richter, The Cage Paintings (1-6)
  27. 1.3.5: Anselm Kiefer
  28. 1.3.5.1: Anselm Kiefer, Shulamite
  29. 1.3.5.2: An interview with Anselm Kiefer
  30. 1.4: Britain
  31. 1.4.1: Barbara Hepworth, Pelagos
  32. 1.4.2: Describing Sculpture- Henry Moore's Reclining Figure
  33. 1.4.3: Francis Bacon, Triptych – August 1972
  34. 1.4.4: Lucian Freud, Standing by the Rags
  35. 1.5: Poland Magdalena Abakanowicz, Androgyne III
  36. 2: Pop Art
  37. 2.1: A beginner's guide
  38. 2.1.1: Contemporary Art, an introduction
  39. 2.1.2: Pop Art
  40. 2.2: Andy Warhol
  41. 2.2.1: Coca-Cola [3]
  42. 2.2.2: Marilyn Diptych
  43. 2.2.3: Why is this art? Andy Warhol's Campbell's Soup Cans
  44. 2.2.4: The Case for Andy Warhol
  45. 2.2.5: Gold Marilyn Monroe
  46. 2.3: Claes Oldenburg
  47. 2.3.1: Lipstick (Ascending) on Caterpillar Tracks
  48. 2.3.2: Floor Cake
  49. 2.4: James Rosenquist, F-111
  50. 2.5: Roy Lichtenstein, Rouen Cathedral Set V
  51. 2.6: Harry Fonseca
  52. 2.6.1: Two Coyotes with Flags
  53. 3: Conceptual + Performance Art
  54. 3.1: Conceptual Art
  55. 3.1.1: A beginner's guide
  56. 3.1.1.1: Conceptual Art, An Introduction
  57. 3.1.1.2: The Case for Conceptual Art
  58. 3.1.2: Joseph Kosuth, One and Three Chairs
  59. 3.1.3: Martha Rosler, The Bowery in Two Inadequate Descriptive Systems
  60. 3.1.4: The Case for Yoko Ono
  61. 3.1.5: John Baldessari, I Will Not Make Any More Boring Art
  62. 3.1.6: Hans Haacke, Seurat’s “Les Poseuses” (small version), 1884-1975
  63. 3.1.7: Nam June Paik, Electronic Superhighway- Continental U.S., Alaska, Hawaii
  64. 3.1.8: Yayoi Kusama
  65. 3.1.8.1: Narcissus Garden
  66. 3.1.8.2: Yayoi Kusama (Tate)
  67. 3.1.9: Bruce Nauman, The True Artist Helps the World by Revealing Mystic Truths
  68. 3.1.10: Mónica Mayer, The Clothesline
  69. 3.2: Performance Art
  70. 3.2.1: Performance Art, an Introduction
  71. 3.2.2: The Case for Performance Art
  72. 3.2.3: Black Mountain College
  73. 3.2.4: Shiraga Kazuo, Challenging Mud
  74. 3.2.5: Vito Acconci, Following Piece
  75. 3.2.6: Mierle Laderman Ukeles, Washing/Tracks/Maintenance- Outside (July 23, 1973)
  76. 3.2.7: Gordon Matta-Clark, Splitting
  77. 3.2.8: Marina Abramović, The Artist is Present
  78. 4: Minimalism + Earthworks
  79. 4.1: A beginner's guide
  80. 4.1.1: An introduction to Minimalism
  81. 4.1.2: The Case for Minimalism
  82. 4.1.3: The Case for Land Art
  83. 4.2: Carl Andre, Lever
  84. 4.3: Robert Smithson, Spiral Jetty
  85. 4.4: Robert Morris
  86. 4.4.1: (Untitled) L-Beams
  87. 4.4.2: Bodyspacemotionthings
  88. 4.5: Walter De Maria, The Lightning Field
  89. 4.6: Nicolás García Uriburu, Coloration of the Grand Canal, Venice
  90. 4.7: Donald Judd, Untitled
  91. 4.8: Richard Serra
  92. 4.8.1: Tilted Arc
  93. 4.8.2: Intersection II
  94. 4.8.3: Torqued Ellipse IV
  95. 4.8.4: Band
  96. 4.9: Christo and Jeanne-Claude, The Gates
  97. 5: PostMinimalism
  98. 5.1: Alternative art spaces in NYC
  99. 5.2: Eva Hesse
  100. 5.2.1: The last work of Eva Hesse
  101. 5.2.2: Eva Hesse, Untitled (Rope Piece)
  102. 5.2.3: Eva Hesse, Untitled
  103. 5.3: Louise Bourgeois, Cumul I
  104. 5.4: Judy Chicago, The Dinner Party
  105. 5.5: Chicano Art Movement
  106. 5.5.1: Royal Chicano Air Force (RCAF)
  107. 5.5.2: Self Help Graphics and Art
  108. 5.6: Arte Povera
  109. 5.6.1: Mario Merz, Giap’s Igloo
  110. 5.6.2: Michelangelo Pistoletto, Newspaper Sphere
  111. 5.7: Kay WalkingStick (Cherokee), Me and My Neon Box
  112. 5.8: Eleanor Antin, Carving- A Traditional Sculpture
  113. 5.9: Robert Colescott, I Gets a Thrill Too When I Sees De Koo
  114. 5.10: Mary Kelly, Post-Partum Document
  115. 5.11: Jackie Winsor, #1 Rope
  116. 5.12: Senga Nengudi, Linda Goode Bryant and the Just Above Midtown Gallery
  117. 5.13: Lynda Benglis – ‘Form and Texture Create the Magic’
  118. 6: Colonial and postcolonial modernisms
  119. 6.1: Ethiopia
  120. 6.1.1: Skunder Boghossian, Night Flight of Dread and Delight
  121. 6.1.2: Battle of Adwa
  122. 6.2: Nigeria, Uche Okeke
  123. 6.3: Sudan
  124. 6.3.1: Ibrahim El-Salahi, Reborn Sounds of Childhood Dreams
  125. 6.3.2: Ibrahim El-Salahi , Reborn Sounds of Childhood Dreams 1 studio visit
  126. 6.3.3: Ibrahim El-Salahi, The Inevitable
  127. 6.4: Mali
  128. 6.4.1: Seydou Keïta, Untitled (Seated Woman with Chevron Print Dress)
  129. 6.4.2: Mickalene Thomas on Seydou Keïta
  130. 6.5: Turkey, Fahrelnissa Zeid – ‘She Was the East and the West’
  131. 6.6: South Asia Amrita Sher-Gil, Self-Portrait as a Tahitian
  132. 7: Postwar Asia
  133. 7.1: Liu Chunhua, Chairman Mao en Route to Anyuan
  134. 7.2: Song Su-Nam, Summer Trees
  135. 8: Architecture, design, and dance
  136. 8.1: A beginner's guide, What is- brutalism?
  137. 8.2: Vienna Secession
  138. 8.2.1: Josef Maria Olbrich, The Secession Building
  139. 8.2.2: Otto Wagner, Postal Savings Bank
  140. 8.3: The Wiener Werkstätte
  141. 8.4: Chicago School, Louis Sullivan, Carson, Pirie, Scott Building
  142. 8.5: New York skyscrapers and landmarks
  143. 8.5.1: Cass Gilbert, Woolworth Building
  144. 8.5.2: Van Alen, The Chrysler Building
  145. 8.5.3: Rockefeller Center
  146. 8.5.4: A Landmark Decision- Penn Station, Grand Central, and the architectural heritage of NYC
  147. 8.6: International style
  148. 8.6.1: Peter Behrens, Turbine Factory
  149. 8.6.2: Le Corbusier, Villa Savoye
  150. 8.6.3: Frank Lloyd Wright
  151. 8.6.3.1: Solomon R. Guggenheim Museum, New York City
  152. 8.6.3.2: Fallingwater
  153. 8.6.4: Gordon Bunshaft for Skidmore Owings and Merrill, Lever House
  154. 8.6.5: Ludwig Mies van der Rohe, Seagram Building, New York City
  155. 8.6.6: Negotiating the past in Berlin- the Palast der Republik
  156. 8.7: American design
  157. 8.7.1: Libbey Glass Company, Punch Bowl
  158. 8.7.2: Connecticut Klan robe
  159. 8.7.3: Russel Wright, “American Modern” Pitchers
  160. 8.7.4: Glass Chair at the 1939 New York World’s Fair
  161. 8.8: Indians of Canada Pavilion, Expo 67, Montreal
  162. 8.9: Late Modernism/Post-Modernism
  163. 8.9.1: Running in sneakers, the Judson Dance Theater
  164. 8.9.2: The Berlin Wall as a political symbol
  165. 8.9.3: Breuer, The Whitney Museum of American Art (then The Met Breuer, and now the Frick Madison)
  166. 8.9.4: Maya Lin, Vietnam Veterans Memorial
  167. 8.9.5: Robert Venturi, House in New Castle County, Delaware
  168. 8.9.6: Frank Gehry, Guggenheim Bilbao
  169. 8.9.7: Zaha Hadid, MAXXI National Museum of XXI Century Arts
  170. Back Matter
  171. Index
  172. Glossary
  173. Detailed Licensing
  174. Detailed Licensing