4.1: The Case for Abstraction

SmartHistory of Art IXa- Modernisms 1900 to ~1945 · LibreTexts

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    From LibreTexts, under CC BY-NC-SA 4.0, as the source states it; its equations are written in TeX, which the PDF shows typeset. This page at LibreTexts.

    by THE ART ASSIGNMENT

    Video \(\PageIndex{1}\): Speaker: Sarah Urist Green

    Smarthistory images for teaching and learning:

    Malevich, Suprematist Composition: White on White
    Malevich, Suprematist Composition: White on White
    Malevich, Suprematist Composition: Airplane Flying
    Click on image for larger picture (External link to flickr)
    Malevich, Painterly Realism of a Boy with a Knapsack - Color Masses in the Fourth Dimension (detail)
    Malevich, Painterly Realism of a Boy with a Knapsack - Color Masses in the Fourth Dimension (detail)
    Malevich, Suprematist Composition: White on White
    Click on image for larger picture (External link to flickr)
    Malevich, Suprematist Composition: White on White
    Malevich, Painterly Realism of a Boy with a Knapsack - Color Masses in the Fourth Dimension
    Malevich Wall with Beth
    Click on image for larger picture (External link to flickr)
    Malevich, Painterly Realism of a Boy with a Knapsack - Color Masses in the Fourth Dimension (detail)
    Malevich Wall
    Malevich, Suprematist Composition: White on White
    Click on image for larger picture (External link to flickr)
    Malevich, Suprematist Painting
    Malevich, Suprematist Elements: Squares
    Click on image for larger picture (External link to flickr)

    This page titled 4.1: The Case for Abstraction was last modified on Fri, 24 Feb 2023 23:23:43 GMT and is shared under a CC BY-NC-SA 4.0 license and was authored, remixed, and/or curated by The Art Assignment, "The Case for Abstraction," in Smarthistory, August 2, 2017, accessed August 10, 2020, https://smarthistory.org/case-for-abstraction/. via source content that was edited to the style and standards of the LibreTexts platform.