Window mode follows your eyes with your camera, in this browser only: no picture or position leaves your device.
In the Stable
Albert Pinkham Ryder (born New Bedford, MA 1847-died New York City 1917)
before 1911
- Medium
- oil on canvas mounted on fiberboard
- Classification
- Paintings
- Dimensions
- 21 x 32 in. (53.3 x 81.3 cm)
- Museum
- Smithsonian Institution, Smithsonian American Art Museum, Painting and Sculpture
- Credit line
- Smithsonian American Art Museum, Gift of John Gellatly
- Rights
- CC0 (Smithsonian Open Access), as the museum states it.
- Who can see it
- Tweens profiles and older: its subjects are known and suit older children. How works are placed
View at the Smithsonian Institution
About this work
Albert Pinkham Ryder painted with a "wet-on-wet" technique, by adding new layers of thick paint and varnish before the previous ones had a chance to dry. This overloaded the work to such an extent that one visitor described his work as a "boggy, soggy, squitchy picture truly," and some paintings are still soft a hundred years later. At one point, In the Stable was covered with a network of cracks known as alligatoring, the worst of which have since been filled by a conservator. The white horse in the image was modeled after Ryder’s horse Charley, which he owned as a child in New Bedford, Massachusetts. (Broun, Albert Pinkham Ryder, 1989)