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The Seven Archangels (recto); Studies of an Archangel and a Wind God (verso)
Massimo Stanzione (Italian, 1585–1656)
c. 1620s
- Medium
- Pen and brown ink, brown wash, traces of black chalk (recto); pen and brown ink (verso),
- Classification
- Drawing
- Dimensions
- Sheet: 9.5 x 35.8 cm (3 3/4 x 14 1/8 in.)
- Culture
- Italy
- Museum
- Cleveland Museum of Art, Drawings
- Credit line
- Purchase from the J. H. Wade Fund
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Tweens profiles and older: its subjects are known and suit older children. How works are placed
View at the Cleveland Museum of Art
About this work
Massimo Stanzione worked in the Spanish-held Kingdom of Naples, where, during the 1600s, painting was characterized by dramatic expression, emphatic naturalism, and intense chiaroscuro derived from the profound influence of Caravaggio (1571–1610). Stanzione, however, was known in the city as one of the main purveyors of a more classical style, a kind of antithesis to the passion and drama of such Neapolitan painters as Jusepe de Ribera. This drawing relates directly to a painting Stanzione made depicting the seven archangels at the Monasterio de la Descalzas Reales in Madrid. The iconography of the seven archangels was a regional focus of devotion in the Neapolitan kingdom, and in Spain, where the cult of the “Seven Angelic Princes” had been promoted by the 16th-century Sicilian friar Antonio Del Duca (1491–1564).
