Lovers and beloveds: A composite of scenes from Persian, Urdu, and Sanskrit literature, by Chitarman II, c. 1735
Gallery mode Full size at the museum

Window mode follows your eyes with your camera, in this browser only: no picture or position leaves your device.

Lovers and beloveds: A composite of scenes from Persian, Urdu, and Sanskrit literature

Chitarman II (Indian, c. 1680–с. 1750)

c. 1735

Medium
Gum tempera and gold on paper
Classification
Painting
Dimensions
Painting: 41.2 x 29.6 cm (16 1/4 x 11 5/8 in.)
Museum
Cleveland Museum of Art, Indian and Southeast Asian Art
Credit line
Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection
Rights
Public domain (CC0), as the museum states it.
Who can see it
Teens profiles and older: its subject is for older viewers (war, death, the Passion, drink or the like). How works are placed

View at the Cleveland Museum of Art

About this work

The figure of Joseph, identified by his halo, sits in the center near the top of this painting of heroes and heroines of ten different Persian, Urdu, and Sanskrit romances. The depicted scene occurs after Joseph has been purchased by Zulaykha in Egypt. Zulaykha, wishing to show him off to her friends and acquaintances, invites them to her home where she supplies oranges and knives. When the women see Joseph, they all are so distracted by his divine beauty that they accidentally cut their hands while peeling their oranges, but remain mesmerized by his appearance. The dramatic scene in the center is from the Persian romance of Khusrau and Shirin, in which Farhad, a stonecutter who loved Shirin, threw himself to his death from a mountaintop after hearing news of Shirin’s death, falsely sent to him from his rival Khusrau. The emaciated Majnun is in the lower right corner. Every vignette has been identified with a tiny Persian inscription.