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Illuminated page (verso), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492) with two Persian masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)
Mushfiq (Indian, active early 1600s)
Sultan 'Ali al-Mashadi (Iranian, 1430–1520)
1603–7
- Medium
- Gum tempera, ink, and gold on paper
- Classification
- Painting
- Dimensions
- Text area: 17.8 x 9.5 cm (7 x 3 3/4 in.); Page: 31.6 x 20.4 cm (12 7/16 x 8 1/16 in.)
- Culture
- Western Afghanistan, Herat (text); Mughal India (paintings)
- Museum
- Cleveland Museum of Art, Indian and Southeast Asian Art
- Credit line
- Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Teens profiles and older: its museum says too little about what it shows to place it for younger viewers. How works are placed
View at the Cleveland Museum of Art
About this work
This section of text from Jami’s poem of Joseph and Zulaykha, written diagonally in the margins, describes the beauties of Zulaykha’s house, in which she intends to seduce Joseph. It includes the following verses: Jeweled lamps on the walls were hung / And odorous herbs were beneath them flung. / She gathered together all things most fair, / And unrolled the carpet of pleasure there. / But amid the charms of the sumptuous hall / She longed only for Joseph, far dearer than all. / A heavenly palace is dark and dim / To a lover whose darling is far from him.
The longing of Zulaykha for Joseph metaphorically describes an imperfect devotee’s mystical love for God. With patience, forbearance, and virtuous actions, unification with the divine will eventually occur, even for the most flawed among us. On this page also begins the Khirad-nama-i Iskandari (Alexander’s Book of Wisdom), another of the five narrative poems that make up the Panj Ganj.
