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A Mughal courtier

c. 1575; border added probably 1700s

Medium: Gum tempera and gold on paper, mounted with gold-sprinkled borders
Classification: Painting
Culture: Mughal India, court of Akbar (reigned 1556–1605)
Museum: Cleveland Museum of Art, Indian and Southeast Asian Art
Credit line: Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection
Rights: Public domain (CC0), as the museum states it.
Who can see it: Teens profiles and older: its museum says too little about what it shows to place it for younger viewers. How works are placed

About this work

This sensitive portrait is among the earliest surviving individual portraits from the Mughal atelier. He remains unidentified by inscription, since such portraits were made for the emperor Akbar who was unable to read. Realism in portraiture developed under Akbar as a means of keeping records of gifts and promotions without written notations. The figure conspicuously grasps the maroon and gold scarf in his left hand, which suggests that it may have been the gift from the emperor that would have occasioned the portrait. The array of blades he carries indicates that he was conscripted into military service at the Mughal court.