Todi Ragini, from a Ragamala Series, c. 1750–75
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Todi Ragini, from a Ragamala Series

c. 1750–75

Medium
Gum tempera and gold on paper
Classification
Painting
Dimensions
Image: 21.4 x 13 cm (8 7/16 x 5 1/8 in.); Border: 28.7 x 22.3 cm (11 5/16 x 8 3/4 in.)
Culture
Northwestern India, Rajasthan, Bundi or Uniara, 18th century
Museum
Cleveland Museum of Art, Indian and Southeast Asian Art
Credit line
Gift of Dr. Norman Zaworski
Rights
Public domain (CC0), as the museum states it.
Who can see it
Teens profiles and older: its museum says too little about what it shows to place it for younger viewers. How works are placed

View at the Cleveland Museum of Art

About this work

In the ragamala system, male ragas are "married" to female raginis. Todi Ragini is a "wife" of Hindola Raga, the name of a scene that features the male lover or lovers on a swing. Both Todi and Hindola are meant to explore the moods of springtime. Ragamala verses describe Todi as a woman with sharp eyes and a slim "extremely tender body, radiant as the frost" and smeared with saffron and camphor from Kashmir. She is said to "push back a deer from the edge of a forest glade."