Streams and Mountains
Xu Ben (Chinese, 1335–1380)
1372
- Medium
- hanging scroll; ink on paper
- Classification
- Painting
- Dimensions
- Image: 92.2 x 37.6 cm (36 5/16 x 14 13/16 in.); Overall: 228 x 54.5 cm (89 3/4 x 21 7/16 in.)
- Culture
- China, Yuan dynasty (1271–1368)
- Museum
- Cleveland Museum of Art, Chinese Art
- Credit line
- Bequest of Mrs. A. Dean Perry
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Little Ones profiles and older: it shows gentle subjects for the very young. How works are placed
View at the Cleveland Museum of Art
About this work
Like many literati of the late Yuan and early Ming dynasties, Xu Ben was entangled with the perils of dynastic change as well as the ups and downs of his official career. It was mainly through the art of painting and poetry, as well as the ideal of reclusion, that he sought feelings of exhilaration and shared them with his friends.
Xu created this monumental landscape during one of his periods of reclusion. His innumerable “hemp-fiber” texture strokes create a unifying rhythm among the towering mountains with tightly knit masses of rocks. Nestled among shady trees at the base of the mountain is a rustic retreat, which a scholar approaches on foot to visit with the hermit.
Among the five inscriptions at the top of the painting is one by the artist himself. He dedicated the painting to someone named Jifu 吉夫 and recorded a poem in praise of mountains. Green trees, yellow orioles, everywhere are mountains; Aimlessly I return from the stream, where I watched the clouds. Man's life does not allow unbroken ease, But to be able to be high up in the mountain, this is leisure.
