The Crucifixion of Saint Andrew, by Caravaggio, 1606–7
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The Crucifixion of Saint Andrew

Caravaggio (Italian, 1571–1610)

1606–7

Medium
oil on canvas
Classification
Painting
Dimensions
Framed: 233.5 x 184 x 12 cm (91 15/16 x 72 7/16 x 4 3/4 in.); Unframed: 202.5 x 152.7 cm (79 3/4 x 60 1/8 in.)
Culture
Italy, Naples
Museum
Cleveland Museum of Art, European Painting and Sculpture
Credit line
Leonard C. Hanna Jr. Fund
Rights
Public domain (CC0), as the museum states it.
Who can see it
Adult profiles and older: its museum's description or title mentions violence, death or gore. How works are placed

View at the Cleveland Museum of Art

About this work

Saint Andrew’s efforts to introduce Christianity to Greece in the first century CE were met with hostility from local authorities. He was sentenced to die on the cross because he refused to acknowledge pagan gods. For two days, Andrew preached from his martyr’s station to an increasingly sympathetic crowd. Bowing to public demand, Andrew’s would-be executioners attempted to untie him, but their hands were mysteriously paralyzed. Andrew’s desire for martyrdom was thus fulfilled and he died enveloped in divine light. Caravaggio’s innovative interpretation involves the viewer more closely in the event by presenting the crucifixion as intimate and private, rather than as a gruesome public spectacle. Bold contrasts of light and dark suggest the presence of God. A masterpiece of Baroque painting, Caravaggio’s Crucifixion of Saint Andrew is the only altarpiece by the artist in America.