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Portrait of the Aged Akbar
attributed to Govardhan (Indian, active c.1596–1645)
c. 1640–50
- Medium
- Gum tempera and gold on paper
- Classification
- Painting
- Dimensions
- Image: 25.2 x 16.8 cm (9 15/16 x 6 5/8 in.); Overall: 27.5 x 18.8 cm (10 13/16 x 7 3/8 in.)
- Culture
- India, Mughal court, 17th century
- Museum
- Cleveland Museum of Art, Indian and Southeast Asian Art
- Credit line
- Andrew R. and Martha Holden Jennings Fund
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Tweens profiles and older: its subjects are known and suit older children. How works are placed
View at the Cleveland Museum of Art
About this work
The soulful modeling of Akbar’s aged but dignified face argues strongly in favor of the attribution of this work to the imperial court artist Govardhan. This posthumous portrait of the celebrated third Mughal emperor would have been made at the end of his career for Akbar’s grandson Shah Jahan, who reigned from 1626 to 1648. Shah Jahan glorifies his own august lineage by lionizing Akbar and having him portrayed in a formal, symbolic way that Akbar himself never would have commissioned. Christian angels in European style praise him from the heavens, while mythical birds of paradise swoop at the edge of the radiance emitted from the nimbus of the divine light of his rule. He originally grasped an orb, which was changed to a necklace. The sensitively articulated body of a young cow reclines at ease in the presence of a lion, indicating the harmony and peace of his noble rule. The artist used the dignified nim-qalam style of painted drawing with only touches of gold and hints of color. Heavy outlines were added at a later date, along with pinprick holes used for copying the composition onto another sheet of paper.
