The Nodding Stone Terrace, Tiger Hill, and the Thousand-Man Seat, from Twelve Views of Tiger Hill, Suzhou
Shen Zhou (Chinese, 1427–1509)
after 1490
- Medium
- Album leaf; ink on paper or ink and slight color on paper
- Classification
- Painting
- Dimensions
- Image: 31.2 x 42.3 cm (12 5/16 x 16 5/8 in.); Overall: 36.5 x 49.9 cm (14 3/8 x 19 5/8 in.)
- Culture
- China, Ming dynasty (1368–1644)
- Museum
- Cleveland Museum of Art, Chinese Art
- Credit line
- Leonard C. Hanna Jr. Fund
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Tweens profiles and older: its subjects are known and suit older children. How works are placed
View at the Cleveland Museum of Art
About this work
Views of Tiger Hill depicts a historic site a few miles northwest of Suzhou. The scenes simulate a visit from arriving by boat at the foot of the mountain to climbing to Cloudy Cliff Monastery. Representations of the artist’s mature style, Shen Zhou included views in subtle colors in the suite of monochrome scenes.
A Suzhou native, Shen Zhou was supported by family wealth and rejected an official career in favor of life as a retired scholar. Turning to painting in midlife, he is regarded as the founder of the Wu School of painting, with its center in Suzhou.
