As punishment, the jester’s wife and the Zangi are thrown into fire and the emir’s wife and the mahout are trampled by an elephant, from a Tuti-nama (Tales of a Parrot), Twenty-second Night, c. 1560
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As punishment, the jester’s wife and the Zangi are thrown into fire and the emir’s wife and the mahout are trampled by an elephant, from a Tuti-nama (Tales of a Parrot), Twenty-second Night

c. 1560

Medium
gum tempera, ink, and gold on paper
Classification
Painting
Dimensions
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 10 x 10.1 cm (3 15/16 x 4 in.)
Culture
Mughal India, court of Akbar (reigned 1556–1605)
Museum
Cleveland Museum of Art, Indian and Southeast Asian Art
Credit line
Gift of Mrs. A. Dean Perry
Rights
Public domain (CC0), as the museum states it.
Who can see it
Tweens profiles and older: its subjects are known and suit older children. How works are placed

View at the Cleveland Museum of Art

About this work

This painting depicts the closing scene of the tale the parrot tells Khujasta on the twenty-second night. He concludes the story by warning his mistress against committing any acts that would cause her to be laughed at and get her into trouble, like the wife of the emir, who is shown here being trampled to death along with her lover, the elephant driver. While in prison the jester caught them having sex on top of the elephant her lover had ridden up to her window. This brazen transgression made the imprisoned jester laugh so hard that the emir was alerted to the illicit affair. In the lower left the jester’s wife and her African lover, the Zangi, are being burned in punishment for their infidelity.