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The prince meets a carefree dancing dervish whose good fortune he purchases for his ring, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
c. 1560
- Medium
- gum tempera, ink, and gold on paper
- Classification
- Painting
- Dimensions
- Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 6.9 x 10.5 cm (2 11/16 x 4 1/8 in.)
- Culture
- Mughal India, court of Akbar (reigned 1556–1605)
- Museum
- Cleveland Museum of Art, Indian and Southeast Asian Art
- Credit line
- Gift of Mrs. A. Dean Perry
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Tweens profiles and older: its subjects are known and suit older children. How works are placed
View at the Cleveland Museum of Art
About this work
The prince, in the orange tunic, had been exiled by his older brother who inherited the throne, so he decided to travel the country. In a wilderness he met a dancing dervish to whom wild animals seemed mystically drawn; the deer are unconcerned about the tiger nearby. Dervishes are Sufi holy men whose dances bring them closer to god, but in this ironic story, the dervish dances for joy, because he just perceived an omen that he was about to become rich. The prince handed him his signet ring in exchange for the dervish’s good fortune.
