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Saint Barbara
Master of the Holy Blood (Netherlandish)
c. 1520
- Medium
- tempera on wood panel
- Classification
- Painting
- Dimensions
- Framed: 91 x 34.5 x 5.5 cm (35 13/16 x 13 9/16 x 2 3/16 in.); Unframed: 86.3 x 29.2 cm (34 x 11 1/2 in.)
- Culture
- Flanders, Bruges
- Museum
- Cleveland Museum of Art, Medieval Art
- Credit line
- Bequest of John L. Severance
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Tweens profiles and older: its subjects are known and suit older children. How works are placed
View at the Cleveland Museum of Art
About this work
Saint Barbara holds both a book and a ring symbolizing her scholarly pursuits and union with God. According to legend, the leather thongs with which she was beaten were transformed into peacock plumes. This painting and one other in the collection (1942.633.1) were originally the wings of an altarpiece flanking a central panel, now lost, that may have depicted the Holy Family. The identity of this artist is unknown, but he is named for a painting in the Chapel of the Holy Blood in Bruges.
Bruges flourished as an international commercial center through the 1400s and early 1500s. Among its residents were many foreign merchants and bankers who, along with the Burgundian court, patronized artists and attracted specialized craftsmen such as furriers, hatters, jewelers, and goldsmiths. Bruges’s artistic production in the 1400s included celebrated artists like Jan van Eyck, Petrus Christus, Hans Memling, and Gerard David who painted large altarpieces, small panels for private devotion, and portraits. Bruges also remained an important center for the production of illuminated manuscripts.
