Folio 1 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)
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Folio 1 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Medium
Palm leaf backed with yellow paper
Classification
Painting
Dimensions
Leaf: 5.4 x 54.3 cm (2 1/8 x 21 3/8 in.)
Culture
Eastern India, Bihar, Vikramashila Monastery. Paper: Nepal, Kathmandu
Museum
Cleveland Museum of Art, Indian and Southeast Asian Art
Credit line
Purchase from the J. H. Wade Fund
Rights
Public domain (CC0), as the museum states it.
Who can see it
Teens profiles and older: its museum says too little about what it shows to place it for younger viewers. How works are placed

View at the Cleveland Museum of Art

About this work

Sometime between the sixteenth and nineteenth centuries, Nepalese paper known as lokta, made from the bark of high-elevation evergreen shrubs, was pasted to the first folio of this manuscript in order to prevent the delicate palm-leaf page from further deteriorating. Mantra syllables of invocation are written hastily in black ink. Like the Nepalese numbers found throughout the rest of the manuscript, the yellow paper is another indication that the Manuscript of the Perfection of Wisdom in Eight Thousand Lines was held in a Nepalese monastery after being copied in eastern India.