Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)
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Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Medium
Covers: Gum tempera, colors, and paper on wood; pages: gum tempera and ink on palm leaves
Classification
Painting
Dimensions
Covers overall: 6.5 x 57 x 1.5 cm (2 9/16 x 22 7/16 x 9/16 in.)
Culture
Eastern India, Bihar, Vikramashila Monastery. Paintings: Nepal, Kathmandu
Museum
Cleveland Museum of Art, Indian and Southeast Asian Art
Credit line
Purchase from the J. H. Wade Fund
Rights
Public domain (CC0), as the museum states it.
Who can see it
Teens profiles and older: its museum says too little about what it shows to place it for younger viewers. How works are placed

View at the Cleveland Museum of Art

About this work

The colophon at the end of the manuscript indicates that a monk from Nepal named Aryashrimittra traveled to a monastic university in India, where he commissioned this copy of a sacred Buddhist philosophical text. He then brought it with him back to Nepal, where Nepalese artists added paintings of Buddhist goddesses and bodhisattvas. The movement of monks and manuscripts between India and Nepal was the primary mechanism for the transmission of Buddhism to the Himalayas. This manuscript was an object of worship, once venerated alongside sacred Buddhist images. Devotional materials applied during ritual worship remain on the top of the book cover.