Little Devil's Bridge, plate 19 from Liber Studiorum

Joseph Mallord William Turner (engraved by Charles Turner (English, 1773–1857))

published March 29, 1809

Medium
Mezzotint and etching in brown on ivory wove paper
Classification
Print
Dimensions
Image: 17.8 × 25.9 cm (7 1/16 × 10 1/4 in.); Plate: 20.9 × 28.9 cm (8 1/4 × 11 7/16 in.); Sheet: 29.9 × 43.5 cm (11 13/16 × 17 3/16 in.)
Culture
England
Museum
Art Institute of Chicago, Prints and Drawings
Credit line
The Joseph Brooks Fair Collection
Rights
Public domain (CC0), as the museum states it.
Who can see it
Teens profiles and older: its subject is for older viewers (war, death, the Passion, drink or the like). How works are placed

View at the Art Institute of Chicago

About this work

J. M. W. Turner is known primarily as a painter, but demonstrated his passion for landscape through printmaking in this mezzotint, which comes from a series of 71 prints called Liber Studiorum (Book of Studies). Turner categorized the types of landscape with a lettering system at the top of each sheet: A (Architectural), H (Historical), M (Marine or Mountainous), P (Pastoral), and the more obscure EP (Epic Pastoral). The play of light and shade on the water, mountains, fields, and distant views exemplifies Turner’s approach to landscape as an emotive interpretation of reality rather than a topographically accurate one. He chose to use mezzotint, an engraving process that creates tonal gradations similar to the effects of oil painting, to emphasize these light and dark effects.

Description © Art Institute of Chicago, CC BY 4.0