The Interior of the Palm House on the Pfaueninsel Near Potsdam
Carl Blechen (German, 1798–1840)
1834
- Medium
- Oil on canvas
- Classification
- Painting
- Dimensions
- 135 × 126 cm (52 1/2 × 50 in.); Framed: 155 × 145.5 cm (61 × 57 1/4 in.)
- Culture
- Germany
- Museum
- Art Institute of Chicago, Painting and Sculpture of Europe
- Credit line
- Through prior acquisitions of the George F. Harding Collection; L.L. and A.S. Coburn and Alexander A. McKay endowments; through prior gift of William Wood Prince; through prior acquisitions of the Charles H. and Mary F. S. Worcester…
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Tweens profiles and older: its subjects are known and suit older children. How works are placed
View at the Art Institute of Chicago
About this work
Lush palms and overgrown greenery dominate this view of the Palm House, designed by Karl Friedrich Schinkel to display the Prussian royals’ collection of tropical plants. This painting plays with the boundaries between architecture and nature, imagination and reality: vines curl around soaring columns and bowed fronds evoke archways. Carl Blechen populated his dazzling place-portrait with a leisure scene derived from colonialist fantasies of non-European women. The artist dressed the figures in rich textiles that echo the building’s colors and motifs, as if he considered them an extension of the decor.
The short career of Carl Blechen, a pivotal figure in nineteenth-century German painting, marked the transition from Romanticism to a more realistic view of nature. Inspired in part by his encounter with the Italian landscape and light during a trip he made around 1828 or 1829, Blechen developed a fluid technique that enabled him to capture fleeting atmospheric effects. He often used his landscapes as settings for mysterious figures, reflecting his early contact with Romantic painting and theater.
Description © Art Institute of Chicago, CC BY 4.0
