Crypt of Kirkstall Abbey, plate 39 from Liber Studiorum

Joseph Mallord William Turner (English, 1775-1851)

published February 11, 1812

Medium
Mezzotint and etching in brown on ivory paper
Classification
Print
Dimensions
Image: 18 × 26.3 cm (7 1/8 × 10 3/8 in.); Plate: 21 × 29.1 cm (8 5/16 × 11 1/2 in.); Sheet: 29.9 × 44.3 cm (11 13/16 × 17 7/16 in.)
Culture
England
Museum
Art Institute of Chicago, Prints and Drawings
Credit line
The Joseph Brooks Fair Collection
Rights
Public domain (CC0), as the museum states it.
Who can see it
Teens profiles and older: its museum says too little about what it shows to place it for younger viewers. How works are placed

View at the Art Institute of Chicago

About this work

J. M. W. Turner is known primarily as a painter, but demonstrated his passion for landscape through printmaking in this mezzotint, which comes from a series of 71 prints called Liber Studiorum (Book of Studies). Turner categorized the types of landscape with a lettering system at the top of each sheet: A (Architectural), H (Historical), M (Marine or Mountainous), P (Pastoral), and the more obscure EP (Epic Pastoral). The play of light and shade on the water, mountains, fields, and distant views exemplifies Turner’s approach to landscape as an emotive interpretation of reality rather than a topographically accurate one. He chose to use mezzotint, an engraving process that creates tonal gradations similar to the effects of oil painting, to emphasize these light and dark effects.

Description © Art Institute of Chicago, CC BY 4.0