Mandarin Ducks and Lotus
Ren Yi (Chinese, 1840-1895)
Qing dynasty (1644–1911), 1892
- Medium
- Hanging scroll; ink and colors on paper
- Classification
- Painting
- Dimensions
- 149.8 × 40 cm (58 15/16 × 15 3/4 in.)
- Culture
- China
- Museum
- Art Institute of Chicago, Arts of Asia
- Credit line
- Gift of Florence Ayscough and Harley Farnsworth MacNair Collection
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Little Ones profiles and older: it shows gentle subjects for the very young. How works are placed
View at the Art Institute of Chicago
About this work
Ren Yi was among the most successful and influential among Chinese painters of the so-called Shanghai School. Arriving in Shanghai in 1857, he took the artistic name “bonian” (one-hundred years), claiming that it would take him a century to achieve success. However, by 1875 Ren Yi was the best-known painter in Shanghai. His highly sought-after bird-and-flower paintings initially followed the Song dynasty (960–1279) convention of applying rich color fields within outlines, producing decorative patterning with lifelike representation. This painting represents his mature, more spontaneous style that is characterized by looser brushwork, more ink washes, and greater tonal variation.
Although his inscription states that Ren Yi executed this work in the winter “with a frozen ink stone,” he clearly depicted an early summer scene. Four large lotus leaves, brushed with wet-ink washes, overpower a pair of young, delicate blossoms. The aquatic lotus emerges with pristine beauty from murky water and thereby carries enduring associations with Buddhist beliefs in purity and rebirth. Above the lotus, partially camouflaged by wind-swept reeds, swims a pair of mandarin ducks—traditional symbols…
Description © Art Institute of Chicago, CC BY 4.0
