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A16: Pennsylvania Drawing Room, 1761
Narcissa Niblack Thorne (American, 1882–1966)
c. 1940
- Medium
- Miniature room, mixed media
- Classification
- Miniature room
- Dimensions
- External: 46.1 × 126.4 × 67.4 cm (18 1/8 × 49 3/4 × 26 1/2 in.); Internal (main room only): 30.5 × 47.7 × 51.8 cm (12 × 18 3/4 × 20 3/8 in.)
- Culture
- United States
- Museum
- Art Institute of Chicago, Applied Arts of Europe
- Credit line
- Gift of Mrs. James Ward Thorne
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Tweens profiles and older: its subjects are known and suit older children. How works are placed
View at the Art Institute of Chicago
About this work
Narcissa Niblack Thorne, creator of the Thorne Rooms, combined a deep knowledge of design history with a vivid imaginative sensibility. In the 1930s, she assembled a team of skilled artisans in Chicago to construct a series of intricately detailed interiors at the scale of one inch to one foot (1:12).
Conceived as a visual history of interior design, the rooms are at once scholarly and inventive. Meticulously researched and carefully composed, they balance historical accuracy with artistic interpretation. Each atmospheric interior feels like a stage set awaiting its occupants—two parts fantasy, one part history, and entirely absorbing.
Entry from Fannia Weingartner, Miniature Rooms: The Thorne Rooms at the Art Institute of Chicago, 2nd ed. (The Art Institute of Chicago, 2004):
16: Pennsylvania Drawing Room, 1761 With this interior, we move back one hundred years from the preceding model to pre-Revolutionary Philadelphia. The chief inspiration for this room was the State Chamber of Mount Pleasant, an ambitious Palladian structure completed in 1761 for Captain John MacPherson, a Scottish privateer. Described by John Adams as “the most elegant seat in Pennsylvania,” it was owned…
Description © Art Institute of Chicago, CC BY 4.0
