Window mode follows your eyes with your camera, in this browser only: no picture or position leaves your device.
The Supper at Emmaus
Jean Honoré Fragonard (after Michelangelo Merisi da Caravaggio (Italian, 1571–1610))
1760/61
- Medium
- Black chalk on ivory laid paper, laid down on off-white laid paper
- Classification
- Drawing and Watercolor
- Dimensions
- Primary support: 18.3 × 26.8 cm (7 1/4 × 10 9/16 in.); Secondary support: 19.6 × 28 cm (7 3/4 × 11 1/16 in.)
- Culture
- France
- Museum
- Art Institute of Chicago, Prints and Drawings
- Credit line
- Julius Lewis Fund
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Teens profiles and older: its museum says too little about what it shows to place it for younger viewers. How works are placed
View at the Art Institute of Chicago
About this work
Known for Rococo fantasies, Jean-Honoré Fragonard brought his light touch to this copy of an Italian Baroque masterpiece. This drawing was made for the erstwhile cleric and avid printmaker Abbé de Saint-Non, who commissioned Fragonard to make copies after important Old Master paintings in Italy. The original painting (now in the National Gallery, London) hung in the Palazzo Borghese in Rome when the two artists visited it in late 1760 or early 1761. It depicts the moment when two of Jesus’s astonished disciples recognize the risen Christ as he blesses a loaf of bread.
Description © Art Institute of Chicago, CC BY 4.0