Invocation to Love
Jean-Honoré Fragonard (French, 1732–1806)
c. 1781
- Medium
- Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper
- Classification
- Drawing
- Dimensions
- Sheet: 33.5 x 41.6 cm (13 3/16 x 16 3/8 in.); Secondary Support: 37.6 x 47.8 cm (14 13/16 x 18 13/16 in.)
- Culture
- France
- Museum
- Cleveland Museum of Art, Drawings
- Credit line
- Grace Rainey Rogers Fund
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Teens profiles and older: its museum says too little about what it shows to place it for younger viewers. How works are placed
View at the Cleveland Museum of Art
About this work
Fragonard used gardens as the setting for love and courtship in some of his most important works. One such scene, this drawing depicts a woman pleading for help from a statue of Eros, the god of love. He wears a blindfold, suggesting an uncertain outcome for the woman, as does a Cupid who indifferently leans on an orb nearby. Like other artists in 18th-century France, Fragonard was deeply influenced by historic imagery of the Garden of Love—a pastoral and idyllic contained landscape. He revisited the specific image seen here multiple times, in two oil paintings (Musée du Louvre and private collection, New York) and another drawing (Princeton University Art Museum).
