Upasaka Dharmatala, Lay Devotee to the Sixteen Arhats (Elders), from a Seven-Part Set
19th century
- Medium
- Opaque watercolor on cotton
- Classification
- Painting
- Dimensions
- Image: 42 × 30 cm (16 9/16 × 11 13/16 in.); Overall: 107.5 × 62.5 cm (42 3/8 × 24 5/8 in.)
- Culture
- Tibet
- Museum
- Art Institute of Chicago, Arts of Asia
- Credit line
- Gift of Emily Crane Chadbourne
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Teens profiles and older: its museum says too little about what it shows to place it for younger viewers. How works are placed
View at the Art Institute of Chicago
About this work
This thangka features Dharmatala (or Dharmata), a legendary lay devotee of the Buddha Shakyamuni. Dharmatala begins to appear in art with the sixteen arhats in the 14th century, and is named in verses of praise to the arhats from the 12th-13th century. Dharmatala is only depicted in art alongside the sixteen arhats; however, in some traditions he is considered to be an emanation of the bodhisattva Avalokiteshvara. Dharmatala is one of the additional figures who make up the full iconographic grouping included with representations of Shakyamuni and the sixteen arhats, the subject of the seven thangka set to which this work belongs. Such sets typically contain twenty-five figures in all, centering on Shakyamuni surrounded by his close attendants Shariputra and Maudgalyayana, the sixteen arhats, the four guardian kings who protect the cardinal directions, and the two devotees, Hvashang and Dharmatala. This grouping became a popular subject for both devotional practice and artistic representation. In painting, the group may appear in a single thangka or in sets with one or more figures per thangka. In the present work, Dharmatala is accompanied by two of the guardian kings,…
Description © Art Institute of Chicago, CC BY 4.0
