Arhats (Elders) Angaja, Vanavasin, Vajriputra, and Kanakavatsa, from a Seven-Part Set Portraying the Sixteen Arhats
19th century
- Medium
- Opaque watercolor on cotton
- Classification
- Painting
- Dimensions
- Image: 43 × 29.6 cm (16 15/16 × 11 11/16 in.); Overall: 109.5 × 64 cm (43 1/8 × 25 1/4 in.)
- Culture
- Tibet
- Museum
- Art Institute of Chicago, Arts of Asia
- Credit line
- Gift of Emily Crane Chadbourne
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Teens profiles and older: its museum says too little about what it shows to place it for younger viewers. How works are placed
View at the Art Institute of Chicago
About this work
This thangka features four of the sixteen arhats, early Indian disciples of the Buddha Shakyamuni. From the top, Angaja holds an incense burner, Vanavasin carries a fly whisk, Vajriputra bears a peacock fan, and Kanakavatsa holds a jeweled chain. Surrounding the arhats are scenes referencing hagiographic narratives associated with them. The group of seven thangkas to which this work belongs would normally be hung together, placed in a row with a central thangka and three thangkas flanking it on each side. This thangka’s composition and the orientation of the figures directs the viewer’s attention to the right, where the central thangka would normally be placed. The Tibetan inscription on the back of the hanging bar specifies that it is the “first on the right,” indicating that it is to be placed immediately to the proper right (viewer’s left) of the central thangka (1923.968). The thangkas in this set of seven have been preserved with their traditional cloth mount and protective silk curtain.
Arhat sets typically contain twenty-five figures in all, centering on Shakyamuni surrounded by his close attendants Shariputra and Maudgalyayana, the sixteen arhats, the four guardian kings…
Description © Art Institute of Chicago, CC BY 4.0
