The Last Supper

Peter Paul Rubens (Flemish, 1577–1640)

late 1613 or early 1614

Medium
Pen and brown ink, with brush and brown wash, heightened with touches of white opaque watercolor, over traces of black chalk, on cream laid paper, incised for transfer
Classification
Drawing and Watercolor
Dimensions
30.2 × 19.7 cm (11 15/16 × 7 13/16 in.)
Culture
Flanders
Museum
Art Institute of Chicago, Prints and Drawings
Credit line
Gift of Richard and Mary L. Gray
Rights
Public domain (CC0), as the museum states it.
Who can see it
Teens profiles and older: its museum says too little about what it shows to place it for younger viewers. How works are placed

View at the Art Institute of Chicago

About this work

This important drawing is one of a group of preparatory designs for a Roman Catholic prayer book (the Breviarium Romanum) that was reissued in 1614 under the new parameters of Counter-Reformation liturgy. This scene, in which Peter Paul Rubens placed the figure of Judas—instead of Christ—as center-most in the composition, preceded prayers celebrating the feast of Corpus Christi. The layered used of media and precise placement of compositional elements reflect Rubens’s intense desire to control the printed versions of his designs.

Description © Art Institute of Chicago, CC BY 4.0